Hugo Gurgel

After relocating to Tokyo, a Brazilian writer begins a new novel, provoked by her experiences in Japan and by one of the last scenes she witnessed in Rio de Janeiro: a female swimmer tearing up the horizon with powerful strokes in the wide, open sea. Those two women apparently share no connection, until their lives start to interfere in one another, strangely linked through the sea. Hannah, the writer, plunges into a journey of self-discovery in Japan, while Ana, the swimmer in Rio de Janeiro, oddly has her body transformed into some kind of inner Ocean.

Stênio, the nightshifter of a morgue, has the ability to communicate with the cadavers that are brought to him every night.

1980s. Brazilian television exploding in color and auditorium programs not so politically correct. In the middle of this fervor, Augusto Mendes, a young rising actor, seeks his place in the sun. From porn studios to soap operas, he finally finds success and fame when he becomes "Bingo", a TV host clown from one of the audience leader TV shows for children. It turns out that behind the rice powder and red nose, nobody knows who he is.

The sierras of southern Brazil, 1963. The son of an French man and a Brazilian woman, Tony is a young man with a profound love of cinema and poetry. After graduating from college he returns to his small town in rural Brazil, to find out that his father had left for good, back to France. Tony then looks for the company of his fathers friends in search of information and references of a lost male role-model. He becomes a school teacher and a male figure to kids, in an attempt to provide them with something he lacks himself. A series of developments lead him to a surprising final lead on his fathers' whereabouts and reasons for leaving.

During a remake of the play Tristan and Isolde, actors Peter and Ana fall in love. While the characters live an idealized love, the interpreters are living a true story, which they try to spice it up with the intensity of the fiction.

During a remake of the play Tristan and Isolde, actors Peter and Ana fall in love. While the characters live an idealized love, the interpreters are living a true story, which they try to spice it up with the intensity of the fiction.

The documentary video follows the unique trajectory of the dancer Mercedes Baptista, considered the main precursor of Afro-Brazilian dance.