The unbridled life and kaleidoscopic filmography of Piero Vivarelli, who made Italian B-movies of all genres, wrote hit rock songs and penned the screenplay for Sergio Corbucci's Western "Django," adored by Quentin Tarantino, are intertwined in a portrait of an unsung postwar provocateur and revolutionary (the only non-Cuban besides Che Guevara to be given a Cuban Communist Party card signed by Fidel Castro). The creative doc is also a prism into an unexplored territory of Italian — and by extension global — pop culture and its unique vitality.
Sibyl, a jaded psychotherapist, returns to her first passion: writing. But her newest patient Margot, a troubled up-and-coming actress, proves to be a source of inspiration that is far too tempting. Fascinated almost to the point of obsession, Sibyl becomes more and more involved in Margot’s tumultuous life, reviving volatile memories that bring her face to face with her past.
Napoleon, exiled, devises a plan to retake the throne. He'll swap places with commoner Eugene Lenormand, sneak into Paris, then Lenormand will reveal himself and Napoleon will regain his throne. Things don't go at all well; first, the journey proves more difficult than expected, but more disastrously, Lenormand enjoys himself too much to reveal the deception. Napoleon adjusts somewhat uneasily to the life of a commoner while waiting, while Lenormand gorges on rich food.
