Christiane Badgley

A feature-length documentary film-in-progress chronicling the birth and development of LGBTQ comics through the eyes of several of its pioneers. The film was inspired by the Lambda award-winning book of the same name, and dives deeper into the personal stories at the heart of this unique underground artistic scene. Featuring Alison Bechdel (Fun Home), the recently departed Howard Cruse (Stuck Rubber Baby, Gay Comix), and others, this film aims to show how DIY queer cartoonists have represented, poked fun at, and celebrated LGBTQ lives and experiences in challenging, humorous, and profound ways.

Guangzhou, a.k.a. Canton, is southern China’s centuries-old trading port. Today the booming metropolis of 14 million is a mecca of mass consumption, its vast international trading centers crammed with every “Made in China” good imaginable. Every year more than half a million Africans travel to Guangzhou where they buy goods to sell back in Africa. Over time, some have chosen to stay, and for these Africans China looks like the new land of opportunity, a place where anything is possible. But is it? Featuring a dynamic cast of men and women from Cameroon, Kenya, Nigeria and Uganda, GUANGZHOU DREAM FACTORY weaves the stories of Africans chasing alluring, yet elusive, “Made in China” dreams into a compelling critique of 21st century global capitalism. Following a filmmaker’s journey from Ghana to China and back to Africa, GUANGZHOU DREAM FACTORY provides a rare glimpse of African aspirations in an age of endless outsourcing.

Guangzhou, a.k.a. Canton, is southern China’s centuries-old trading port. Today the booming metropolis of 14 million is a mecca of mass consumption, its vast international trading centers crammed with every “Made in China” good imaginable. Every year more than half a million Africans travel to Guangzhou where they buy goods to sell back in Africa. Over time, some have chosen to stay, and for these Africans China looks like the new land of opportunity, a place where anything is possible. But is it? Featuring a dynamic cast of men and women from Cameroon, Kenya, Nigeria and Uganda, GUANGZHOU DREAM FACTORY weaves the stories of Africans chasing alluring, yet elusive, “Made in China” dreams into a compelling critique of 21st century global capitalism. Following a filmmaker’s journey from Ghana to China and back to Africa, GUANGZHOU DREAM FACTORY provides a rare glimpse of African aspirations in an age of endless outsourcing.

Guangzhou, a.k.a. Canton, is southern China’s centuries-old trading port. Today the booming metropolis of 14 million is a mecca of mass consumption, its vast international trading centers crammed with every “Made in China” good imaginable. Every year more than half a million Africans travel to Guangzhou where they buy goods to sell back in Africa. Over time, some have chosen to stay, and for these Africans China looks like the new land of opportunity, a place where anything is possible. But is it? Featuring a dynamic cast of men and women from Cameroon, Kenya, Nigeria and Uganda, GUANGZHOU DREAM FACTORY weaves the stories of Africans chasing alluring, yet elusive, “Made in China” dreams into a compelling critique of 21st century global capitalism. Following a filmmaker’s journey from Ghana to China and back to Africa, GUANGZHOU DREAM FACTORY provides a rare glimpse of African aspirations in an age of endless outsourcing.

Guangzhou, a.k.a. Canton, is southern China’s centuries-old trading port. Today the booming metropolis of 14 million is a mecca of mass consumption, its vast international trading centers crammed with every “Made in China” good imaginable. Every year more than half a million Africans travel to Guangzhou where they buy goods to sell back in Africa. Over time, some have chosen to stay, and for these Africans China looks like the new land of opportunity, a place where anything is possible. But is it? Featuring a dynamic cast of men and women from Cameroon, Kenya, Nigeria and Uganda, GUANGZHOU DREAM FACTORY weaves the stories of Africans chasing alluring, yet elusive, “Made in China” dreams into a compelling critique of 21st century global capitalism. Following a filmmaker’s journey from Ghana to China and back to Africa, GUANGZHOU DREAM FACTORY provides a rare glimpse of African aspirations in an age of endless outsourcing.

In The Colonial Misunderstanding Jean-Marie Teno sheds light on the complex and problematic relationship between colonization and European missionaries on the African continent. The film looks at Christian evangelism as the forerunner of European colonialism in Africa, indeed, as the ideological model for the relationship between North and South even today.

Chronicle of a rather particular afternoon during which the lives of three people change dramatically: Alex, the husband, goes to his in-laws' to bring home his second wife. Elise, Alex's childhood sweetheart and first wife, accompanies him--as she must, according to tradition. And Josephine, the young bride, leaves her parents to begin a new life.

Cameroonian filmmaker Jean-Marie Teno directs this impassioned documentary about the slow crumbling of traditional morals and values caused by colonialism and globalization. The film traces Teno's journey from his base in France to Cameroon's capital Yaounde to his hometown of Mbieng. In the process, he captures images of corroding infrastructures and corrupt officials.

African-American documentary filmmaker Marlon Riggs was working on this final film as he died from AIDS-related complications in 1994; he addresses the camera from his hospital bed in several scenes. The film directly addresses sexism and homophobia within the black community, with snippets of misogynistic and anti-gay slurs from popular hip-hop songs juxtaposed with interviews with African-American intellectuals and political theorists, including Cornel West, bell hooks and Angela Davis.

A collage of erotic images and a call to arms, with a feverish hip-hop energy that celebrates the lives of African American men.

A look at what it's like to be gay and black in America.