Kazuhiko Ogura

Shiwasu's mother left their home when Shiwasu was a little girl. Shiwasu does not understand why. She is a woman now and working at a Shinto shrine as a shrine maiden under her father who is a priest. She is listless until she finds a little boy alone on the shrine's grounds. The boy's mother shows up and retrieves her son a couple of days later. That is not the end of it however. The boy is back soon and has marks and bruises on his body. In the meantime, there was petty theft going on.

A cadre of backup dancers is left astray when their star singer moves on with her life and marriage. They each had their own ambition and hope, which subconsciously rested on the star power of the singer. When plan A does not work, they cling to plan B. When that does not work, in an act of desperation, they are assigned to plan C by their agency. A fight and unprofessionalism seems to put the Backdancers on permanent ice.

Nami has been creating artwork for a new video game based on images she's been seeing in her dreams. With one of the game producers, she travels out to an abandoned house that seems to match her visions. As they explore the old mansion, Nami begins to have more visions of a forgotten childhood, until at last she comes across a photo of twin infants, labelled "Nami" and "Naomi". As Nami and the producer go from room to room, an unseen person seems to be watching them from a hidden room.

Masayuki meets Nanami, who is on a journey with a refrigerator named Ullie. Nanami's Iranian friend Amir is helping her haul the refrigerator which contains Nanami's dead boyfriend. Masayuki joins the journey.

Coffee-shop waitress Kanako, divorced with a young son, finds herself obliged to honour a rash promise she made to a long-time customer. He always wanted to be buried in the land rather than a cemetery, so that his body would be 'useful' - and now he's dead. Kanako and her boy enlist the help of a friendly florist with a small truck, steal the corpse, and head for the mountains.