Idris Sardi

This movie is a remake of Pengantin Remadja 1971 original version which is also one of indonesian legendary love story movie such as Badai Pasti Berlalu, Gita Cinta SMA, etc. This Movie tells the love story among two of teenage kids unfortunately restrained by difference in social status of both family which are diplomat and farmer family. Some Scenarios have changed compare to original one which ends tragically. In the original 1971 starring by Widyawati and Sophan Sophian while in this remake Pengantin Remaja 1991 replaced by Vivi Samodro and Bucek Depp. The Musical illustrations are also impressive. Both of original Pengantin Remadja 1971 and this remake 1991 are directed by the same person Wim Umboh and music arranger Idris Sardi.

Sasongko impregnates Corry, a university student who works in his office, and refuses to take responsibility. Corry is expelled from the house Sasongko had given her by his wife Mrs. Sasongko. Then, 18 years later, Sonny, Corry’s son, who has been taught to hate his father although he was never told his name, starts looking for him. In the meantime, Prasetyo, a respected businessman, who has a harmonious family, is in the midst of constructing a large building for his wife. Before the construction can be completed, cement prices skyrocket due to a shortage of supplies, and Prasetyo needs more money than expected to keep the work going. He seeks the assistance of Nur to find funds. Nur succeeds in getting a loan from Sasongko, who now heads a powerful conglomerate.

Set in 1896, "Tjoet Nja' Dhien" celebrates one of Indonesia's great heroes who fought for independence from the Dutch. The pious Muslim people of Aceh, a city that had flourished since ancient times as a trade port, enter into a fierce war with the Dutch. Tjoet Nja' Dhien, the widow of a rebel leader operating in Aceh in Sumatra, assumes the leadership when her husband Teuku Uma is killed in an ambush. Dhien's charismatic presence and power of survival motivate the locals to join and later continue their opposition to the Dutch. Despite personal obstacles, she remained in the thick of the struggle for ten years.

The film begins with a doctor explaining breast cancer and its detection methods. Then we learn that Kartika must have one of her breasts removed before the cancer spreads. To relieve her grief, she leaves for Switzerland, where she meets Maruli, a newly graduated doctor from Germany who works at a restaurant before going home. A romance occurs that results in marriage, even though his uncle does not agree with it, for the sake of a family tradition. After the marriage, Maruli is disappointed. He feels cheated after learning of Kartika’s breast removal. His mother is furious. He is reminded that his intention to study medicine is to help his mother, who was also left behind by her husband, Maruli's father, after her breast removal. He then returns to his wife, Kartika.

Nurhayati’s husband dies in an accident and she is left with four small children. Nur herself knows that she will not live long, as her doctor reveals that she must undergo a heart and lung transplant, with a little chance of survival. After telling the real situation to her father and to her eldest child, Asih, the children are brought to the families she considers as able to raise them. How lucky she is that the three families are eager to accept her children. On a birthday party of her youngest child, she feels at ease and dies.

A Javanese mother has to struggle to lead their children against a complex confusion of their age. Unfortunately, the mother realized that actually, her children are trying to lead her too.

A Javanese mother has to struggle to lead their children against a complex confusion of their age. Unfortunately, the mother realized that actually, her children are trying to lead her too.

Based on the true story of a victim of child abuse in Jakarta, 1984.

Set in Bandang in early 1930s, story concerns a young man who joins the anti-Dutch freedom movement. When his best friend is shot by police, he vows to assassinate the chief of police who gave the order to fire.

Set in Bandang in early 1930s, story concerns a young man who joins the anti-Dutch freedom movement. When his best friend is shot by police, he vows to assassinate the chief of police who gave the order to fire.

After his wife passes away, the ailing Akbar marries Tina, a widow. Akbar’s illness makes him lose his job so Tina has to work in a garment factory. Akbar’s effort to find a job is fruitless and he passes away shortly after. His three children Mimi, Memet, and Ayu cannot stand their stepmother’s fickleness. They leave quietly to find the family of their biological mother. This is not easy since they don’t have her address. They work at any job to survive - housemaid, shoe shiner, parking boy etc. One day they meet John who buys and sells used newspapers. Mimi and Memet are given a small business of selling ice and pastries. Then Memed accidently takes the wrong train but fortunately, a rich man adopts him. However, Memed returns home as he misses his younger siblings. The reunion is short since Ayu passes away.

Singer Anna Maria Larasati is a widow with one child but after returning from a visit abroad, she regains her popularity back home. One of her fans, Johan, is the son-in-law of a rich man, who is not happy with his marriage and now tries to pursue Anna Maria. But she rejects him and he gets into an accident and is killed. Then Budiman, comforts her and also helps her take care of her son, Boy. Budiman has been attracted to Anna for a long time but when their love starts to bloom, Anna’s chronic disease strikes back. On her deathbed, she asks Budiman to look after Boy.

The film tells a story about a woman who manages to overcome the mischievous behavior of her student and also his father, who is left by his wife. The father’s remaining love for his wife complicates their relationship

After being pregnant for the third time, Shinta has to undergo another operation. After this, Shinta becomes frigid. Norman, her husband, then finds himself a girlfriend, Yulia, a colleague. Shinta divorces him and she leaves with her two children to brave Jakarta’s city life. Norman then comes to his senses and tries to look for his wife and children. He manages to find her in a very poor and weak condition before she dies.

A rare film that was censored for many years, the story featured protesting university students in the process of self-discovery.

Nonon, a prostitute, has no other career path when her father stops working, and her mother's illness require an expensive surgery.

A anti-narcotics police captain trails a drug dealer to the Philippines.

Sarah is a lounge singer who works to support her husband, Paul Lasut, a gambler. In an intersection, her car nearly runs into the car of David Panggabean, the director of a bank. The event leads to them falling in love. Lasut is shot and dies on the gambling table. Sarah thinks that Lasut dies because of the money that David gave him. Sarah avoids David, who still persistently visits her place of work. David also has problems with his work, due to his assistant. All the problems are finally resolved when David and Sarah are married.

Set on 24 March 1946 in Bandung, when the city was engulfed in explosions as if it was a sea of fire, the battle scenes between Indonesian and Dutch dominate the film. The main plot line is the conflict of Nani, a Red Cross nurse, who loves Priyatna, an ex PETA fighter. Meanwhile, Hidayat, the commander of Priyatna’s troop, also likes Nani. It is a small story, within a war, that ends with the death of Hidayat.

Adapted from Achdiat Kartamihardja's novel of the same name. It follows a young Muslim man named Hasan who, through his interactions with others, loses his faith.

Failing a suicide attempt, Arni is rescued and treated in a house. Living next door is a journalistic photographer, Baron. Both of them fall in love with each other. In the end it is discovered that Arni is the wife of a famous businessman who is having an affair with a famous fashion model

Jamal is a son of a big businessman who falls in love with a high-class prostitute. But when Maria’s secret is discovered, his family throws her out, so Jamal leaves his parents and become a taxi driver.

Filled with surrealistic dream scenes, this fairy-tale-like film sees Buang, Bernardus, and Bakar, three prisoners who run away during a prison revolt. They meet Bunga, a small lonely girl whose parents are busy with work, and whose house is secluded from the neighbours. This meeting transforms the prisoners, into normal decent persons. Happy to find new friends, Bunga steals food from her house for the three new friends. The fairy tale ends when the three convicts are recaptured.

Linda gives birth to an illegitimate child from a relationship with her boyfriend, Alex, who dies in an accident. To avoid a scandal, her father asks his younger sibling to take the baby to Cirebon. Linda is then told that the baby is dead. The baby, Yatim, is treated badly by the caregiver. The caregiver steals the money sent by Linda’s father to support the baby, so Linda’s father gets angry when more money is demanded. Linda overhears the conversation and is told the truth. So Linda goes to Cirebon to pick up her child but Yatim has already run away to Jakarta to look for her. He is aimless and homeless, and becomes a shoe polisher. A children’s toy seller hears a radio broadcast looking for the missing child and advises Yatim to go meet his parent. Yatim refuses, and instead gets hit by a car. Finally, they are reunited at the hospital.

Containing eight songs, the film is like TV variety show of music and singers. Charma, an architecture student, falls in love with Anita. Thanks to advice from Bagio Sumarto, an old artist, Charma manages to win Anita, even though her mother, who has a royal lineage, considers that an artist would lower the family’s prestige. It was a strange assumption, present at the time of the film’s production. Charma then helps Bagio realise his dream of building a village for artists by staging a big successful show. And Anita turns out to be the daughter of Bagio who has long been separated from his wife.

Containing eight songs, the film is like TV variety show of music and singers. Charma, an architecture student, falls in love with Anita. Thanks to advice from Bagio Sumarto, an old artist, Charma manages to win Anita, even though her mother, who has a royal lineage, considers that an artist would lower the family’s prestige. It was a strange assumption, present at the time of the film’s production. Charma then helps Bagio realise his dream of building a village for artists by staging a big successful show. And Anita turns out to be the daughter of Bagio who has long been separated from his wife.

Mbok Puspo’s cafe, at the edge of Kalimas, under Jembatan Merah or “Red Bridge”, is a meeting place for many. Mbok Puspo also sells rags for additional income while her adopted daughter, Sudiasih, runs the cafe and is the shining beauty of the place. The regulars are Ngawang, a small time thief who fails to make his wife happy; Kenanga, who becomes a prostitute to spite her husband; Siswanto, a student who does not have the courage to confess his love to Sudiasih; Pungguk the painter; a civil servant, and a postman. The love stories between Siswanto and Sudiasih; and Ngawang and Kenang are the central plots. Seeing Siswanto and Sudiasih’s love, Ngawang and Kenanga also find each other. Meanwhile, Mbok Puspo is in a dilemma when she receives a letter from her child, Sri Bidari, who was adopted by a rich family.

Dulkafar, leaves his hometown for three and a half years after his parents are murdered, and has now returned for vengeance. With his whip of fire, he defeats criminals while searching for the murderer of his parents. He also disguises himself as a “buaya Keroncong” or an expert singer in Keroncong music. His efforts finally pay off when he finds a woman wearing his mother’s necklace.

Legendary directors Wim Umboh and Sjumandjaja, decided to experiment by producing a script being written at the same time of the shooting. Mama is a complex story with two seemingly unrelated narrative threads. The first story revolves around Sanca and Anani. The second is about Ulli and Pandji, and in between the two stories is a third narrative, about Ulla, a religious prostitute and Ulli’s sister, and Suwaka.

Set in 19th century Batavia, within the community of Portuguese descendents, Amallo has issues withhis father, Umbu Kapitan, because his irresponsible behaviour has led to his mother’s death.

Mas Tok, son of a rich family, is studying in Holland when he meets Inge, a staff of Nitou travel agency. They marry but cannot have a child due to Mas Tok’s illness. When they return to Indonesia, his parents disapprove of his marriage as they intended him to marry another girl. Mas Tok then returns to Europe to treat his illness. Meanwhile, Inge is made to leave by her parents-in-law when she is found pregnant and thought to be unfaithful. Mas Tok comes home to find his wife gone and blames his parents because the baby is his son. Mas Tok meets Inge again under a snow fall, much like when they first meet, only this time his parents are there to witness.

Four girls (Renny Asmara, Tjetty Wulansari, Aty Rochadiaty, Aminah Cenderakasih) live together in a boarding house. They are romantically involved with four different men (Iwan Taruna BA, Rachmat Kartolo, Pong Hardjatmo, Jopic Burnama). There are relationships that are affairs, platonic love, and the story of a secretary who is sleeping with her boss, but ends up marrying the director's employee. The early part of the film is filled with erotic scenes exploiting the girls, and later on, features comical moments.

Suryani, helps Iskandar find a job and gives him love. But the happiness doesn't last long when Aminah, Iskandar's wife, and child come to see him. Then Suryani disappears while carrying Iskandar's baby in her womb. Six years later, Iskandar, assisted by his secretary Sri, finds Suryani and his daughter, Atik, in a village. Although she is reluctant in the beginning, she finally agrees to go with him to the city. Then Suryani avoids Iskandar and forbids her daughter from seeing Iskandar. When Iskandar's company is about to go bankrupt, Suryani comes to help by selling her house and the shop that Iskandar gave. Then the salvaged company is given to Aminah and her child, while Iskandar goes away to repent.

Riding a white horse, Purbaya, the horseman from Cimande, comes to Sukajadi in search of his parents’ graves. There he runs into an old man who tells his past story. Purbaya is the son of Hamidah and Meureksa, who were murdered by Argasuta. Argasuta was in love with Hamidah and he sent Hasan Botak and Bagus Bantar after her. Upon hearing this, Hamidah turns hysterical and tries to kill Argasuta. But he survives, and Hamidah instead dies in the hands of his underlings. Then the story returns to the present where Purbaya takes his revenge on Argasuta. The film is filled with blood, castrated limbs, and exploding organs.

Harun who cannot stand Mustofa’s repressiveness decides to leave his village to study martial arts. One year later, Harun returns and defends the villagers repressed by Mustofa

Oni is an orphan who is born blind. She is adopted by a cart puller. Despite of his blindness, Oni can cure diseases. So when her adopting parent dies, someone else takes care of her. But ever since her village is pillaged Oni lives on as a wanderer.

A simple and rather clichéd story about a poor mechanic who experiences love at first sight with a rich girl. After enduring many obstacles, the couple finally realise their dream of having a family together.

Two sisters, Hanifah and Latifah/Ipah have different attitudes toward life in Jakarta. While Hanifah is content working as a teacher, Ipah, who works as a shopkeeper, is obsessed with living a high life. She leaves her boyfriend, Adi, feeling that her sister’s way of thinking is too conservative, and changes her name to Eva. Eva then becomes a runway model and gets famous. She has an affair with an older man named Abas, gets pregnant, has an abortion and becomes a high class prostitute. Meanwhile, her ex-boyfriend, Adi, has an affair with Lily, Abas’ wife. One day, she meets again with Adi who is looking for a prostitute for his friend. Offended, Eva stabs Adi. She is then sentenced to 18 years in prison. Her father and her sister, Hanifah, come to the court and give her a mukena (a kind of hijab used by female Muslims for praying) before she goes to prison.

Marzuki has a relationship with Fatimah, but they do not get her parents’ approval because he is unemployed. He goes to the city to find a job, but then has an affair with Leila, an older woman. Because Leila causes his break-up with Fatimah, Marzuki turns to yet another older woman. But then he comes back to Leila’s arms. He gets a message from his mother that Fatimah is seriously ill. He goes back home and leaves Leila alone.

Irma a.k.a Ananda must struggle through the obstacle of her life for which she might or might not earns something better for her life.

Drawing from the novel, lenong (play) and the previous film (Njai Dasima I), this new film version has heightened erotic scenes considered the boldest for its time. But as mentioned by the director, the eroticism is meant to reveal the psychological aspects of the characters. Unlike the previous version, that mainly highlights conflict between love and witchcraft, this one features social and psychological conflicts. For example, how Dasima feels like an outsider with Edward Williams’s friends, or how she prefers leaving their house to live with her maid in the village. It also shows more background of the Samiun and Hayati characters - Samiun is a black market trader with a lot of debts and Hayati is a woman obsessed with gambling to get rich. When his debts are due and he is unable to pay, Samiun asks his friend, Puasa, to “rob” him while he is returning to their village with Dasima.

Rainang tries to terrorize a corrupt village leader, Ciming, so that he would resign. But Marsan accidentally kills Ciming. As team leader, Rainang is willing to take responsibility (punishment by exile) while Marsan is appointed as the new village leader and Rausin (Rainang’s son) is sent to the Islamic boarding school. When Rausin returns to Kemayoran, the village leader, Marsan, is now a corrupt man. The Dutch reprimand him as the villagers no longer want to sell rice to them. The village leader then assigns Beureum, an assassin, to get rid of Rausin. But Toha and Cicih, the female warrior, support him. Rainang, who is thought to have passed away, appears and intervenes, and in the end, kills Marsan.

Amir, the son of a businessman, Yahya, is more interested in music than in having a position as president of the company. Yahya is totally against this, and even his brother, Ismed is not allowed to help him. Instead, help comes from Norma, his father’s private secretary, and some young musicians. A music festival that Amir organizes is a huge success. In the end, Yahya makes peace with Amir and retires happily. The company is handed over to Ismed while Norma goes off to help Amir. The film featured the Imam Band that was popular at that time. The members were Eka Djaja Combo, Dolok Martimbang, Teruna Ria, Kinantan, Irama Agung and Idris Sardi and his orchestra.

Supinah, a prostitute, is picked up by a kindly rich man, Budi. They fall in love and she recounts how she, as a naive willage woman, was lured into prostitution when she came to Jakarta in search of her husband, who in turns out remarried. Budi wants her to quit her job but her vicious pimp has other ideas.