Juliette Maillard

出生 : 1974-12-31, Grenoble, Isère, France

参加作品

Diary of a Fleeting Affair
First Assistant Director
A single mother and a married man enter into an affair with the understanding that their relationship is purely sexual. Though they agree the relationship has no future, they find themselves increasingly drawn into each other's company.
5月の花嫁学校
First Assistant Director
1960年代後半のフランスを舞台に、良妻賢母を理想とする花嫁学校の教師と生徒が、“五月革命”の波にも刺激を受けて、自分たちが盲目的に受け入れていた古い価値観に疑問を持ち始める姿をユーモラスに描いたコメディ・ドラマ。主演は「ポンヌフの恋人」「ショコラ」のジュリエット・ビノシュ。共演にヨランド・モロー、ノエミ・ルヴォフスキー、エドゥアール・ベール。監督は「セラフィーヌの庭」「ルージュの手紙」のマルタン・プロヴォ。 1967年、フランス。アルザス地方の小さな村にあるヴァン・デル・ベック家政学校。理想の良妻賢母を育成するこの学校に18人の少女たちが入学する。しかし校長のポーレットと2人の講師が行う授業は、女性解放運動の風を受け始めた生徒たちには納得いかないことばかりだった。そんな中、学校の経営者だったポーレットの夫が急死し、多額の借金が発覚する。破産寸前に追い込まれた学校を救うために銀行に駆け込んだポーレットは、そこでかつての恋人アンドレと思いがけない再会を果たす。彼のサポートを受け、経営の立て直しに取り組むポーレットだったが…。
The Dazzled
First Assistant Director
Camille, is the eldest of a large family. One day, her parents enter a religious community which gradually, regimentation becomes sectarian and Camille will have to fight to assert her freedom and save her brothers and sisters.
Lady J
First Assistant Director
When a romance between a widow and a notorious libertine takes an unexpected turn, Mademoiselle de Joncquières becomes instrumental to one lover’s plans for revenge.
Father of My Children
First Assistant Director
Grégoire Canvel has everything a man could want. A wife he loves, three delightful children and a stimulating job. He's a film producer. Discovering talented filmmakers and developing films that fit his conception of the cinema-free and true to life-is precisely his reason for living. Yet his prestigious production company, Moon Films, is on its last legs. Too many productions, too many risks, too many debts. Storm clouds are gathering. But Grégoire ploughs on at all costs. Where will his blind obstinacy lead him?
Bonnard, Pierre et Marthe
First Assistant Director
Pierre Bonnard would not be the painter everyone knows without the enigmatic Marthe who occupies more than a third of his work. Maria Boursin, alias Marthe de Méligny, posed as a ruined Italian aristocrat the day they fell madly in love with each other. Little did she know that she would become the pillar of a gigantic work, now considered one of the most important of the early 20th century.