At the end of the Joseon Dynasty, shortly after the Eulsa Treaty has been forced to be concluded by Ito Hirobumi and the pro-Japanese courtiers, Japan pressures King Gojong to step down from the throne. Meanwhile, An Jung-geun, who is cultivating men of ability at Samheung school, is deeply impressed by a speech made by An Chang-ho, and heads for Russia to volunteer the army fighting for independence of the country. As both a lieutenant general of the Korean militia and a commander of the Korean expeditionary force in Manchuria, he carries on the independence movement in defiance of Japanese coercion.
After the woman who nearly killed her is brought to trial, Eun-hie finds that she must take the stand to give evidence. However, the defense attempts to turn the tables on her by revealing her sordid past and trying to make it seem as if she deserved what happened to her.
A village youth gets trapped inside a communist hideout with his home made timebomb and must escape before it goes off.
Mr. Lee
The only film from female director Park Nam Ok, the melodrama The Widow offers a different perspective of the female experience in postwar Korea, and a woman's struggle between duty and desire. Raising a daughter alone after the war, widow Shin (Lee Min Ja) is much indebted to her late husband's friend Seong Jin (Shin Dong Hun) but resists his romantic advances. Instead, she falls for Taek (Lee Taek Kyun), who is carrying on an affair with Seong Jin's jealous wife (Park Yeong Suk). Shin is willing to give up everything for Taek, but his heart changes again when his girlfriend returns.
