Camera Operator
Mas alla de los Gritos (Beyond the Screams) is a 1999 documentary film featuring the Latino/Chicano punk movement from the late 1970s up until the early 1990s. Martin Sorrondeguy, singer of hardcore punk bands Los Crudos and Limp Wrist, and a prominent figure in both the straight edge scene and the queercore scene, illustrates the repurposing and remixing of punk music in the major Latino cities on the U.S. This one of a kind documentary sheds light on the political D.I.Y. philosophy which aims to empower youth to emancipate themselves from society's oppression. The film is composed of interviews and live performances. The film focuses on the struggle of Latino/Chicano against globalization, poverty, and identity.
Editor
Mas alla de los Gritos (Beyond the Screams) is a 1999 documentary film featuring the Latino/Chicano punk movement from the late 1970s up until the early 1990s. Martin Sorrondeguy, singer of hardcore punk bands Los Crudos and Limp Wrist, and a prominent figure in both the straight edge scene and the queercore scene, illustrates the repurposing and remixing of punk music in the major Latino cities on the U.S. This one of a kind documentary sheds light on the political D.I.Y. philosophy which aims to empower youth to emancipate themselves from society's oppression. The film is composed of interviews and live performances. The film focuses on the struggle of Latino/Chicano against globalization, poverty, and identity.
Director
Originally produced anonymously and distributed by RTMark, Untitled #29.95 tells the story of the commercial art establishment's attempt to turn video art into a precious commodified object through the release of limited editions during the nineties.
Director
Defiantly humorous in its tone, Delirium reflects Faber’s mother’s personal experience with what has been classified as “female hysteria.” While never reducing her mother’s condition to a single explanation, Delirium firmly and convincingly links her illness to the historically embattled position women hold in a patriarchal culture. The video layers haunting imagery and humorous iconoclasm, referencing everything from television episodes of I Love Lucy to Charcot’s 19th Century photos of female hysterics. Delirium contends that female mental illness must be understood within the political/social arena, and that in many instances women’s reactions of violence, anger, and depression are indeed sane reactions to abhorrent situations.
