Tullio Arcangeli

Gilles is suffering from amnesia as the result of a mysterious accident.

Gilles is suffering from amnesia as the result of a mysterious accident.

Marino Pacileo has a soft spot for gambling. When he discovers that Lila's father, the young Chinese girl that he is in love with cannot pay a debt, the gambler steals money from the jail he is in to help the love of his life.

Roberto Benigni adapts the classic children's tale by Carlo Collodi for the big-budget family-oriented comedy Pinocchio.

To inherit a fortune, all Robert has to do is reopen a delapidated theatre and stage "Hamlet". Unknown to everyone else, Robert witnessed a murder in that theatre as a child... and the murderer is one of the cast.

40-year-old Arnold Gardner is put in charge of the talk show "The Twenty-fifth Hour" after the death of the former host Duncan Mackay. His role on screen creates immediate interest and the program becomes a great success with TV audiences. This proves to be a period of great satisfaction for Arnold, but his childhood friend, Eddie Greenberg, suddenly comes on the scene. Eddie is ill and frustrated by lack of success, and is so resentful and envious of Arnold's fame that he wants him to make a full public confession of a "sin" he committed in his young days.

イタリア、ナポリに浮かぶ小さな島に、チリ政府に追われた世界的詩人パブロ・ネルーダが亡命し、滞在することとなった。彼だけに郵便を届ける配達人となった村の貧しい青年マリオは、ネルーダとの交流の中で、少しずつ詩の世界に触れ、恋を知るのだった。美しい風景の中で切ない愛と友情を描く感動作。

Several characters coincide during the Christmas holidays in the winter season of Saint Moritz.

When a terrorist's body, infected with a stolen chemical, is recovered by the US military, the corpse is cremated, unintentionally releasing the virus/bacteria into the atmosphere over a small island. Soon the infected populace mutate into flesh-hungry zombies, and a trio of soldiers on leave must team up with a group of tourists and board themselves up in an abandoned hotel as they try to fend off the agile and aggressive living dead.

The Roman taxi driver Pietro Marchetti finds himself to witness a mafia crime. Having to testify at the trial, he is checked by the police, especially when he has to go to the United States to attend the graduation of his son Francesco.

Gioia is a buxom centerfold working for Pussycat magazine. In such a profession, having an admirer or two is expected, but Gioia's admirer is a vicious killer! He murders her fellow magazine models one at a time, using a variety of twisted implements of death. Gioia is the lucky recipient of a collection of photos, each with murdered bodies arranged around posters of her.

Gioia is a buxom centerfold working for Pussycat magazine. In such a profession, having an admirer or two is expected, but Gioia's admirer is a vicious killer! He murders her fellow magazine models one at a time, using a variety of twisted implements of death. Gioia is the lucky recipient of a collection of photos, each with murdered bodies arranged around posters of her.

On a hot summer night, Raffaele, the elderly manager of a Neapolitan counter-lot, is brutally strangled in his own accommodation.

Superfantozzi (1986) is an Italian film from 1986. It is the fifth film in the saga of the unlucky clerk Ugo Fantozzi, played by its creator, Paolo Villaggio. In this film, Fantozzi is portrayed in a surreal historical journey, from Genesis to 1980s.

A group of former friends meets again after a very long time, in a Christmas night, with the intent of ripping off a rich industrialist in a game of Poker. Old hatreds and mistrusts conflict with the nostalgia for the lost friendships.

After Annunziata (Angela Molina) opens up a hostel with her friend Antonio (Daniel Ezralow), she is saved from being raped by a Camorra boss as the gangster is suddenly killed. The killer escapes before Annunziata is able to see who it was. Following this murder are several others, and always with the same “signature” — a syringe in one of the testicles of the victims. As the gangsters continue to be killed off, the identity of the killer – or killers – slowly becomes obvious.

In the barracks of the "Settecamini" fire brigade in Rome, the shabby Squadra 17 tackles missions with resounding failures, waiting in vain for a chance for redemption.

Armando is the daddy, Cristiano is the adult son. Each of them lives his life in a different way respect the other: Armando is an old play-boy and often he "buys" his women with his money; Cristiano is a shy guy who lives in a community with other guys like him. The movie proceeds showing us, ironically, the differences, the different ways to think, to act, to treat the women between father and son.

A middle-aged artist (Ben Gazarra) sketching on the beach witnesses a young woman (Ornella Muti) being rescued from drowning. He loans her a blanket. Later she returns the blanket and they have sex several times, but she always leaves right afterward, leaving the man to wonder who she is and where she goes. Things become more complicated as he begins to fall in love with her, and after his regular girlfriend (Mimsy Farmer), with whom he has a curiously open relationship, returns. He eventually begins to realize his mysterious new lover may be very much insane.