Aditya Kripalani

参加作品

Not Today
Director
Aliah Rupawala, is a 24 year old Bohri Muslim girl from a very traditional family. She secretly becomes a Suicide Prevention Counsellor and on her first day she encounters a 52 year old man about to jump from the terrace of a high-rise. As she begins to try to bring him down, she is forced to confront why she became a Suicide Prevention Counsellor in the first place, and also share a lot of herself to get him to share and open up. Going all in, to save him, she begins to deal with and release the loneliness and grief in herself to be able to do the same in the caller. And in doing so, ends up healing not just her own heart, but also the heart of the man who has called, a man who has himself been a Suicide Prevention Counsellor for 15 years.
Devi Aur Hero
Producer
Kaali Ghosh, who has been kept as a sex slave by an industrialist's son, escapes. But she needs to solve the case of her constant blackouts. For this she visits a therapist whose ad she sees in the papers. Vikrant Saraswat is a therapist who is himself seeking therapy for sex addiction and his worst fear is getting back to work and seeing a woman client who he is attracted to. And Kaali meets him. They both need to help each other out, before the shadow sides of their minds completely take over their worlds and push them into doom. Will Kaali be able to step out of her Dissociative Identity disorder and make peace with the identities created within her? Will Vikrant be able to reconnect with the feminine, beyond his addiction and find salvation in doing his work righteously and aptly?
Devi Aur Hero
Writer
Kaali Ghosh, who has been kept as a sex slave by an industrialist's son, escapes. But she needs to solve the case of her constant blackouts. For this she visits a therapist whose ad she sees in the papers. Vikrant Saraswat is a therapist who is himself seeking therapy for sex addiction and his worst fear is getting back to work and seeing a woman client who he is attracted to. And Kaali meets him. They both need to help each other out, before the shadow sides of their minds completely take over their worlds and push them into doom. Will Kaali be able to step out of her Dissociative Identity disorder and make peace with the identities created within her? Will Vikrant be able to reconnect with the feminine, beyond his addiction and find salvation in doing his work righteously and aptly?
Devi Aur Hero
Director
Kaali Ghosh, who has been kept as a sex slave by an industrialist's son, escapes. But she needs to solve the case of her constant blackouts. For this she visits a therapist whose ad she sees in the papers. Vikrant Saraswat is a therapist who is himself seeking therapy for sex addiction and his worst fear is getting back to work and seeing a woman client who he is attracted to. And Kaali meets him. They both need to help each other out, before the shadow sides of their minds completely take over their worlds and push them into doom. Will Kaali be able to step out of her Dissociative Identity disorder and make peace with the identities created within her? Will Vikrant be able to reconnect with the feminine, beyond his addiction and find salvation in doing his work righteously and aptly?
Tottaa Pataaka Item Maal
Director
Four women from Delhi, NCR and Gurgaon, tired of dealing with the incessant fear or rape, decide to teach one man how it feels to be afraid of being raped, on a daily basis.
Don't Forget Moms
Producer
A gynaecologist doesn't want to celebrate her birthday because she lost her mother at birth. We see what she's chosen to dedicate her life to.
Don't Forget Moms
Writer
A gynaecologist doesn't want to celebrate her birthday because she lost her mother at birth. We see what she's chosen to dedicate her life to.
Don't Forget Moms
Director
A gynaecologist doesn't want to celebrate her birthday because she lost her mother at birth. We see what she's chosen to dedicate her life to.
Tikli and Laxmi Bomb
Director
Two sex workers decide to kick men out of the system and form a cooperative that runs the business for women and by women. How do they do things differently? And how far can they get under and overarching and overbearing patriarchy?