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When something horrible happens to the only survivor of a bloody massacre, an insecure rookie cop must overcome his fears to stop further carnage.
Editor
In this unsettling and hypnotic Polish thriller, a young scientist Anna Waterman (Julia Kijowska) is kidnapped after making a scientific breakthrough in a research project.
Editor
It's the last week of school in a small polish town's junior high school. Waiting for the final party, several students pass the time at a city pool, as if anticipating the emotional whirlwind they are about to experience. The action takes place somewhere in Poland, where ‘LGBT free zones’ are a reality in 2020. It’s a story about young people, their problems and romantic endeavours in the era of the Internet and social apps, when creating genuine relationships is unnaturally difficult.
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Ten-year-old Olaf lives in a world where hiring family members and friends is common practice. For the right money, anyone can create the illusion of ideal happiness for themselves. When the Rent A Life company holds auditions at Olaf’s school, he doesn’t hesitate for a moment. He has every intention of being cast as a friend at a birthday party for a little girl from a rich family. It quickly turns out that the cost of taking part in the illusion is a high one.
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Three men, one place and one event that will change the life of each one of them.
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The 15-year-old Filip is beaten up at a bridge near the neighborhood. In revenge, his father buys a billboard in the centre of the block of flats with information about a reward for help in finding the perpetrator.
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A remote, and a bit crazy to be honest, psychiatric hospital receives a curious patient —one who he doesn’t move nor speak but spends his days standing with his hands up. The only thing known is his nickname — “The Atlas”. In a word, he is a riddle and riveting one at that, like an itch you cannot quite scratch. Theories and informed-and-fact-based-gossip flourish all around the place. As luck would have it, so does the conflict as what to do with him. The situation is close to exploding, but the Atlas won’t stir. Or will he?
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11-year-old Mickey House is no longer a child. But who is he? He doesn’t know. He’s friendless. He doesn’t understand his mother. He hates what’s happening to his body. Reality and imagination come together in a toxic mix. Events escalate to extremes… at home and at school. Mickey has to find the strength within him to put a stop to what’s begun. Where will his encounter with his own maturing body take him?
