Britta Rindelaub

Surrounded by social and political chaos in Lima during the summer of 1992, Lucia, Aurora, and their mother, Elena, plan to leave and seek opportunities in the United States. Their farewell involves reconnecting with their estranged father, Carlos, adding turbulence to the regrets, hopes, and fears of their emotional departure.

For mysterious reasons, two watchmen are made to guard access to the river in an area of Lausanne where retirees and immigrant families live. Through the different people they encounter, a territory takes shape and a friendship is born. Tizian Büchi creates a fable—part documentary, part fiction and tinged with magical realism—to subtly question our surveillance society.

A Roma boy living in Sweden dreams of building a spaceship to escape the reality of his family's pending asylum request, and the mysterious coma-like illness that has befallen his siblings.

A film about the transition of three trans teenagers, the upheaval it causes in them and their loved ones, as well as the quest for identity buried deep within them.

Even though he's been living with Fouad for three years, Malik is going to marry Halima. Since Fouad doesn't accept this marriage, which would imply a total upheaval of their everyday life, Malik makes him promise not to attend the wedding, which will take place in his parents’ village. As the ceremony approaches, the pressure builds. Will Malik choose to save face in front of his family and the wedding guests or will he choose to save the relationship with the one he loves?

Leila, who is singularly androgynous, works at a casino in a predominantly male environment. A croupier by night, she returns to her hotel in the early hours of the morning, while Camil, who occupies the room next to hers, disappears at dawn.The first time she sees him, he is leaning at his balcony, his appearance distraught and tears welling up in his eyes.

Tbilisi, Georgia, nowadays. April aged 34, just spent a night in jail for prostitution. She is now resuming her work in the run down night life hub in the underground of a luxury hotel. There she meets Dije, a young Nigerian immigrant. He entrusts her his journey to Tbilisi. Originally, believing he was headed for Georgia, USA, he finds himself trapped in an extreme alienation in a country offering no perspective. An odd love emerges between these two human beings while they try to survive together on the margins of society.

To escape from a lack of perspective in Kosovo, Hana decides to resort to the services of Emir, an illegal smuggler in Serbia that will drive her to Hungary. On the way, complications arise as Emir's unscrupulous associates try to take advantage of Hana's vulnerability. In the midst of the frozen winter, Hana's courage and determination and Emir's principles and beliefs will be put to the test.

Thirty female prisoners share the convicts’ ward of Tuilière Prison at Lonay. More than half of them have one or more children being raised elsewhere: with a sister, in a foster family, or – further away still – in their countries of origin. In portraying some of these women, the film sheds light on these mothers and the bond that ties them to their children.

Thirty female prisoners share the convicts’ ward of Tuilière Prison at Lonay. More than half of them have one or more children being raised elsewhere: with a sister, in a foster family, or – further away still – in their countries of origin. In portraying some of these women, the film sheds light on these mothers and the bond that ties them to their children.