Explores the folk horror phenomenon from its beginnings in a trilogy of films – Witchfinder General, Blood on Satan’s Claw and The Wicker Man – through its proliferation on British television in the 1970s and its culturally specific manifestations in American, Asian, Australian and European horror, to the genre’s revival over the last decade.
When Esme and her ten-year-old son, Luna move to a small desert town looking for a fresh start, they attract all the wrong kinds of attention. Esme must battle to protect her son and a terrifying secret before the next full moon reveals all.
Evan values family above all else, and anyone who gets between him, his wife, and newborn son learns that the hard way. But when it comes to violent tendencies, it seems the apple doesn’t fall far from the tree.
Lizzy is a tough, resourceful frontierswoman settling a remote stretch of land on the 19th-century American frontier. Isolated from civilization in a desolate wilderness where the wind never stops howling, she begins to sense a sinister presence that seems to be borne of the land itself, and when a newlywed couple arrive at a nearby homestead, their presence amplifies Lizzy's fears, setting into motion a shocking chain of events.
With only running shoes, endurance, and a sense of the absurd, top distance runners from around the world team up to test the evolutionary theory that running was the first human weapon, key to our species survival.
With only running shoes, endurance, and a sense of the absurd, top distance runners from around the world team up to test the evolutionary theory that running was the first human weapon, key to our species survival.
