Will van Kralingen

The actor Lucas Bron performs the play King Lear by William Shakespeare for the pupils of his son Patja. After the show, Patja has already got home when he is warned that his father's house is on fire. He rushes to the fateful spot. The fire brigade has already arrived and is unable to say whether his father is still in the house. Patja desperately runs into the burning house and finds his father unconscious on the kitchen floor. But Lucas' spirit is in the theatre. In a magic train of thought, just before he dies, Lucas directs and acts, assisted by his son, high points and low from his eventful life in the theatre, but also outside. Theatre and reality become intertwined. It slowly becomes clear that Lucas still has something to tell his son.

How reliable are memories? Liefje explores the boundary between reality and fantasy. In a therapeutic session, the 18-year-old Esther reconstructs the murder of her father that she committed with her boyfriend Erik. Flashbacks reveal the facts of the matter. The schoolgirl grows up between quarrelling parents, opposes her mother's uninhibited sexual education and despises her father Robert after he has fathered a twin with his new wife, who is much younger. She tells Erik about a vague memory of her father, allegedly abusing her sexually. Notwithstanding the difference between the gaps in Esther's memory and the facts, the outraged Erik offers her to be her avenger.

A group of friends in their early twenties re-consider their boring lives in a sleepy fishing village in the Netherlands.

A biography of Isabelle de Charrière and her friendship with Benjamin Constant.

A woman takes revenge on her cheating husband by inviting his mistresses on their anniversary party. She thanks all of them and announces she's going to divorce him.