Lionel Cornistein

When, at the beginning of Deus Irae, Father Javier stares at a crucifix, his expressions and his hands suggest that the nerves are consuming him. A flashback reveals that this priest devotes his life to visiting families that claim to have seen things that do not belong to this world and cleansing their homes from the demons that try to possess them. But, upon returning to those houses, he notices that the evidence is always destroyed. This way, he discovers that a clan is after him, and must decide whether to hide from them or join them. In times when horror cinema tends to fall into the hands of directors that seek to build narratives that are introspective and close to reality, Pedro Cristiani goes back to old-school horror, where gore and the physical experience are above any other kind of feeling. A cinema that places the camera in front of the faces of the bloodiest demons and, instead of giving logic to them, chooses to face them whatever the cost.

In a remote village, two brothers find a demon-infected man just about to give birth to evil itself. They decide to get rid of the man but merely succeed in helping him to deliver the inferno.

A genetics specialist is sent to stay in a coastal inn to find the origin of an infection that has started spreading slowly.

Bernardo is an undertaker. He runs his mortuary business in the same house where he resides. In the front, he has his clients. And in the back, his dysfunctional family lives amongst coffins, wreaths, and the mischievous but nonviolent ghosts that visit on a daily basis. But when a malevolent entity enters the scene, it wreaks havoc on the already fractured household.

Twisting the Aces is a romantic comedy set in the magic community where things are not what they seem. Martin, an amateur magician, dwells in a world filled with pickpockets, illusions and sleight of hand.

Police commissioner Funes and three researchers of supernatural phenomena investigate inexplicable events that are occurring in the suburbs of Buenos Aires.