Lestari stops teaching when she marries Rama who has returned from abroad. Lestari, who is an only child and an orphan, is infertile. One day she meets Shinta, her favorite student who cannot stand living with her stepmother, especially since her father, a drunken truck driver, died in an accident. Lestari invites Shanti to live with her. Then Rama’s parents bring Lestari to Tokyo for treatment as they still wish to have a grandchild. Rama and Shinta are left at home and begin to be intimate. Lestari is furious when she returns but she finally gives them her blessings as she cannot conceive. But due to a misunderstanding, Shinta runs away. Then Rama finds Shinta as a singer in a nightclub. Without Lestari’s knowledge, they consummate their love. Then Rama accuses Shinta of adultery and refuses to acknowledge the baby as theirs.
When the driver is late to fetch Boni, from school on her birthday, she is kidnapped. This only child from a rich and harmonious family has a faithful dog, Nancy. While the father asks for police help to prepare an ambush, in the end, the true saviour is the smart Nancy. The film combines the genres of a musical, a family film, and a thriller.
Indun
Failing a suicide attempt, Arni is rescued and treated in a house. Living next door is a journalistic photographer, Baron. Both of them fall in love with each other. In the end it is discovered that Arni is the wife of a famous businessman who is having an affair with a famous fashion model
Riding a white horse, Purbaya, the horseman from Cimande, comes to Sukajadi in search of his parents’ graves. There he runs into an old man who tells his past story. Purbaya is the son of Hamidah and Meureksa, who were murdered by Argasuta. Argasuta was in love with Hamidah and he sent Hasan Botak and Bagus Bantar after her. Upon hearing this, Hamidah turns hysterical and tries to kill Argasuta. But he survives, and Hamidah instead dies in the hands of his underlings. Then the story returns to the present where Purbaya takes his revenge on Argasuta. The film is filled with blood, castrated limbs, and exploding organs.
Harun who cannot stand Mustofa’s repressiveness decides to leave his village to study martial arts. One year later, Harun returns and defends the villagers repressed by Mustofa
Drawing from the novel, lenong (play) and the previous film (Njai Dasima I), this new film version has heightened erotic scenes considered the boldest for its time. But as mentioned by the director, the eroticism is meant to reveal the psychological aspects of the characters. Unlike the previous version, that mainly highlights conflict between love and witchcraft, this one features social and psychological conflicts. For example, how Dasima feels like an outsider with Edward Williams’s friends, or how she prefers leaving their house to live with her maid in the village. It also shows more background of the Samiun and Hayati characters - Samiun is a black market trader with a lot of debts and Hayati is a woman obsessed with gambling to get rich. When his debts are due and he is unable to pay, Samiun asks his friend, Puasa, to “rob” him while he is returning to their village with Dasima.
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A comedy about a group of housewives, who live close to each other, they have different jobs as school-teacher, writer, office clerk and so on. The eccentricity of each individual is explored without conflict or story.
Bu Dirham
Firman inherits a piece of land and a hut from his late father. He works hard by selling fruits, to fulfil his father’s dream, of ensuring that his little brother, Agus, finishes his university education. Agus falls in love with Isma, a daughter of a middle-class tailor, Mrs. Slamet. Mrs. Slamet is a distant relative of Mrs. Dirham; a rich widow, who wants her son, John, to marry Isma. But Isma falls for Agus and John often disparages Agus, which infuriates Isma more and more. Finally Mrs. Slamet gives in and accepts Agus’ proposal, and even John is willing to pay the marriage expenses.
Mr. Prawiro, a retired (district chief) assistant, lives in Kebumen village, his hometown. His eldest daughter, Indrani, marries Sumantri, a staff in “Bank Tabungan Pos”. In a meeting, Mr Prawiro suggests that the importance for saving money needs to be stressed.
Guntur, a boxer, checks into a hotel on the day before his match, with his coach. In the hotel, Guntur stays in a room next to Udel and his wife. To secure victory, coach Hasan Sanusi poisons Guntur’s eyes. After dropping Guntur at the hospital, Tjepot, his coach, sees Udel, who resembles Guntur. He persuades Udel to fight in Guntur’s place. At first Udel resists, but he finally agrees, after Guntur’s girlfriend, also mistakes Udel for Guntur, by hugging him. At the end, his wife is also very proud of him. After the match when he manages to knock his opponent out, the two women begin to fight over him. The problem is solved when Guntur shows up.
Husin bin Said (Udjang) suddenly got the inspiration to become a shaman. He put up a nameplate. So in droves of people came asking for help: people who intend to become cultural attaches, members of parliament, wives of officials whose husbands are dating again, producers, aspiring film stars, etc. For some reason, film producer Henry Bross (S. Bono) and aspiring film star Mimi (Diana Subroto) have succeeded in making Husin try their best to help carry out their intention. This story is also the main pillar of the film, besides being an opportunity for the director to mock the world of film. Moreover, then came Husin's friend, Pedro (Rd. Ismail), an old and unused performer who still had illusions about his triumph as an actor. Husin's house is next door to the family of Jaka Prawira-Mariam (R. Sukarno, Tina Melinda). To this house came their in-laws, RA Berlian (Edifah Hanoem), a controlling noble.
An impending visit from a VIP causes chaos and confusion in the small, isolated village of Sukaslamet. Things take a hilarious turn when the herbal medicine seller is mistaken for the exalted guest and is accorded a ceremonial welcome in the most elaborate Javanese style.
When his twin brother is abducted and considered dead, the younger twin marries his brother's lover. Suddenly, the older twin returns but when he finds his former lover now married to his brother, he decides to return to the forest where he had been held hostage all this time.
Permaisuri
Prince Citra wants to replace the dying King Basilam. He threatens the queen that he will kill the baby in her womb if it turns out to be a boy. To save her son's life, the queen switches him with a baby girl, and she names her Princess Amidra. Taruk brings her son to Talisajan Island on the queen's order. Amir, Taruk's brother, nurtures the baby and he is named Hasan. After Hasan grows up, Amir tells him his true identity. So Hasan sets sail to the palace. Then, assisted by Taruk, Hasan gains the support of the people. Citra is dethroned, and Hasan takes his rightful place as the king. He marries Amidra, who turns out to be the daughter of a minister.
During the revolution, Jaka takes refuge and entrusts his house to Husin. Husin then rents the house to someone else and Maryam has to face this bitter fact. She is visited by Danu and his wife Ratih, whom Danu likes to spoil, using state funds. He is arrested when his baby’s shower party is being held. Out of shock, his pregnant wife prematurely delivers the baby and loses a lot of blood. While the others are busy panicking, the cool and composed Ridwan donates his blood. This act of compassion attracts Ros’s attention and she falls in love with him.
Iskandar is a talented clarinet player who trains under an old musician named Sobari. He also has moral support from his girlfriend. But when he becomes successful, he forgets about Sobari, his friends and his girlfriend. Only when his career crumbles does Iskandar remember again his girlfriend and friends.
