Leif Magnusson
出生 : 1956-05-02, Lund, Sweden
Director
A young student reports her mother missing. The next day, the mother's body is found buried in the sand close to the family's house.
Director
A girl disappears on her way to school, and suspicion falls on her father who has been fighting for her custody. Wallander's investigation is helped when he visits a woman whom he had arrested when her own daughter disappeared.
Director
After the murder of a motorcyclist, an investigation reveals that bikers are being used as drug couriers from Denmark to Sweden and that the killing was part of a cartel power struggle.
Director
When a young boy disappears from pre-school, Wallander joins a desperate search to find him. Suspicions immediately fall on a pedophile recently released from prison.
Writer
Bellman and his wife Lovisa live in a loving marriage, but in extreme poverty. They struggle to keep the family together and Lovisa tries to persuade Bellman to perform in order to earn a livelihood.
Director
Bellman and his wife Lovisa live in a loving marriage, but in extreme poverty. They struggle to keep the family together and Lovisa tries to persuade Bellman to perform in order to earn a livelihood.
Writer
Sanna has broken up with her boyfriend Jon. Because her father is in the hospital, she moved into her father's apartment. In his dresser drawer, she finds clipped obituaries of his colleagues, who all seem to have died prematurely. Sanna crosses one border after another, approaching a total collapse of her obsession with truth. In the end, she takes the law into her own hands.
Director
Sanna has broken up with her boyfriend Jon. Because her father is in the hospital, she moved into her father's apartment. In his dresser drawer, she finds clipped obituaries of his colleagues, who all seem to have died prematurely. Sanna crosses one border after another, approaching a total collapse of her obsession with truth. In the end, she takes the law into her own hands.
Screenplay
A Kurt Wallander mystery told from the perspectives of police and criminal. A foreign teenage girl burns herself to death under inspector Wallander's eyes. Several homicides take place where the victim is not only killed but scalped. The victims don't seem to have any connection.
Writer
A Kurt Wallander mystery told from the perspectives of police and criminal. A foreign teenage girl burns herself to death under inspector Wallander's eyes. Several homicides take place where the victim is not only killed but scalped. The victims don't seem to have any connection.
Director
A Kurt Wallander mystery told from the perspectives of police and criminal. A foreign teenage girl burns herself to death under inspector Wallander's eyes. Several homicides take place where the victim is not only killed but scalped. The victims don't seem to have any connection.
Director
Torsten William Olsson is a 43-year-old teacher, living in a small town. He has never had a woman and is desperate for a romance. When he starts fantasizing about the mother of one of his pupils, it is the beginning of a chain of events that will change the lives of himself and others ... —Fredrik Klasson
Director
The Defence Minister Sven Cedevall, a popular politician and happily married family father, isn't the kind of man who should risk what he got for a temporary relation. But when he by chance meets the Polish waitress Anja there is no turning back. Against his will and sense he's drawn to her. What begins with love develops later to a violent end.
Doctor Magnus
Postwar Germany, 1945. Leopold Kessler, an American of German descent, works as a sleeping car conductor for the Zentropa railway line. When he meets Katharina Hartmann, the railroad owner's daughter, and they fall in love, his life intersects with the dark and violent path of a mysterious organization opposed to the United States army military occupation.
Editor
Screenplay
In a dystopian future two private detectives try to find a stolen bracelet.
Hotel Guest
Fisher, an ex-detective, decides to take one final case when a mysterious serial killer claims the lives of several young girls. Fisher, unable to find the culprit, turns to Osbourne, a writer who was once respected for his contributions to the field of criminology. Fisher begins to use Osbourne's technique, which involves empathizing with serial killers; however, as the detective becomes increasingly engrossed in this method, things take a disturbing turn.