Marcelo Corpanni

参加作品

Barraco de Família
Cinematography
As Verdades
Cinematography
A police officer tries to find out who is to blame for a crime committed against a candidate for mayor of a small town. He hears versions of a hired killer, the victim's fiancée, and the candidate himself.
As Verdades
Director of Photography
A police officer tries to find out who is to blame for a crime committed against a candidate for mayor of a small town. He hears versions of a hired killer, the victim's fiancée, and the candidate himself.
Apneia
Cinematography
Apnea presents a week in the life of Chris and her friends. Chris does not want to sleep. Afraid of her sleep apnea and her own unconsciousness, Chris stays up several nights in search of some sort of sense to her life that she did not see during the day, always living on the edge of her own body, and of existence itself, and dragging everything around with her.
Apneia
Associate Producer
Apnea presents a week in the life of Chris and her friends. Chris does not want to sleep. Afraid of her sleep apnea and her own unconsciousness, Chris stays up several nights in search of some sort of sense to her life that she did not see during the day, always living on the edge of her own body, and of existence itself, and dragging everything around with her.
The Tenants
Cinematography
Valter's life turns upside-down when a gang of smalltime criminals move in next door. Valter's wife Iara wants something to be done about their new neighbors whos nigthtly activities does not allow them to sleep. Valter just wants to be left alone.
What Is It Worth?
Cinematography
Free adaptation of Machado de Assis's short story "Pai Contra Mãe", having some of Nireu Cavalcanti's 18th Century chronicles as inspiration, the film traces parallels between life in during the slavery period and in modern Brazil.