Attorney Constantin Lipan (Geo Barton) is tasked to investigate the case of an oil magnate, Iordan Hagi-Iordan (George Calboreanu). This will put pressure on his superiors to drop the case. Based on "Calea Victoriei" novel by Cezar Petrescu.
Vulpașin is desperatley in love with Nastasia, but she is partial to Luca, which works at a factory outside the slum they live in ("accros the lifting gate").
Per IMDB: A young officer of the Romanian Army performs a sabotage mission against the Nazi regime. Seriously wounded, the officer can not reach the fixed place and finds shelter in a surgeon's home.
A kid discovers he has heart disease, his mother was trying to keep that from him. He is depressed that he cannot play with the other children. For his mother there is a dilema: not to take any risks and have his boy lead an isolated life, or go with the risky heart surgery.
An engine driver is taken prisoner in 1944 and ends up in a camp behind enemy lines. He escapes together with a soviet prisoner and a professor and make their way back to Romania.
In this undistinguished drama, Darclee (Silvia Popovici) is a lead singer for an opera company in Romania with a heavy load of responsibility. It seems the company is in dire need of a decent physical structure for their performances and a brace -- or more -- of good singers to improve their image and sales. In other words, they need just about everything except an excellent lead singer; Darclee fills that bill. And so the company rather unfairly leans on her to get the people and the funds they so desperately want. Matei Jacob directs.
1957 film adaptation of Romanian playwright Ion Luca Caragiale's novella “Două loturi” (Two Lottery Tickets, 1901). The scenario was written by director Jean Georgescu, one of the most skilled Romanian filmmakers of the 1940s and 1950s, while the directing belongs to Aurel Miheleş and Gheorghe Naghi, at that time both recently graduated from the All-Union State Institute of Cinematography in Moscow. This is the second feature film in colour from Romania. Despite the great public success, the film was often criticized by reviewers, mostly for its unhandy directing from the two debutants. Miheleş and Naghi would however continue their collaboration and release another two Caragiale adaptations, of which “Telegrame” (Telegrams, 1959) was nominated for the Palme d'Or (Golden Palm) at the 1960 edition of the Cannes festival.
