Vadim Chayukov

In recent years, Viktor Pelevin has been releasing a novel every year, each with a circulation of about 100 thousand copies - this is one of the best results in the country. At the same time, he has not given interviews for almost 20 years, does not appear in public and, according to rumors, does not live in Russia. Film director Rodion Chepel makes an attempt to combat hoaxes. To do this, he studied the archives, the early works of Viktor Pelevin and interviewed people who knew him.

The film, written by Roman Super and Ivan Proskuryakov, tells about the only circus in the world where difficult teenagers learn circus art and become real artists. Using its example, the Uppsala Circus project shows how creativity can give children the opportunity to live more interesting and successful lives. The film makes it clear to teenagers that there are places where they will be welcomed, and people who are ready to understand and help.

The film restores the panorama of the centuries. Journalistic narration with extensive use of artistic reconstructions, computer graphics, animation shows that the business tradition in the region was not interrupted. She manifests herself in different ways in different eras. A key trick used by different types of screen technologies is animation. Monuments to great people, buildings, industrial structures, landscapes of the Volga and Oka, film and photo chronicles are transformed, change in time and space, acquire a different dimension in order to somehow interact with the present, enter into a dialogue with descendants.

He gave us an unforgettable and unique childhood. What was the great Russian storyteller really like? A documentary film about Eduard Uspensky.

Investigation of the causes of death of Vladislav Listyev. 25 years passed, but the perpetrators of the highest-profile contract murder in Russia in the 1990s were not found. Or didn’t you want to? Or found, but silent? Rodion decided to conduct his investigation. He wants to know the name of the customer. Six months of work, dozens of interviews with colleagues, friends and relatives of Listyev, investigators who conducted the case. And everyone answers the main question: who killed Vlad Listyev?

In the spring of 2017, the Investigation Committee conducted the first searches in the criminal case, which everyone now knows as the “Serebrennikov case”, “the Seventh Studio case” or “The Platform case”. Six people, among whom is a world-famous director, are accused of having stolen more than one hundred million rubles allocated for staging performances from the state. And for this they can go to jail for 10 years. Journalists Katerina Gordeeva and Roman Super tried to figure out the essence of this matter. We talked to people who know what theater is, including in terms of money. Studied financial documents. Communicated with those with whom no one had ever succeeded. They understood why the applause of the audience and the compliments of the Ministry of Culture turned into arrests. And of course, went to all court sessions.

Second part of Documentary project