A just married couple travels to north of Iran to stay in a villa for their honeymoon. The fearful tales behind the villa, gets them involved in an adventure, they did not ask for.
Roya is a resourceful young woman who is juggling with loans to pay back a large debt. With her gift of the gab and her determination to fight her way out, she finds herself at the top of a small ponzi scheme that promises to be lucrative, but very soon the mechanism seizes up and a sense of control gives way to anxiety. With a sense of narrative sequencing akin to his senior, Jafar Panahi (The Circle, Blood and Gold), Mahmoud Ghaffari portrays a protagonist hemmed in by a double straightjacket, one where social and gender inequality are inextricably intertwined. His character is neither a heroine nor the passive victim of a crushing system but warrior-like yet evanescent. Arguably, this determination, which draws its energy from despair, can be seen as an obligation incumbent on any filmmaker practising their art in today’s Iran: the obligation to fight up to the point where one’s very absence leaves a void full of meaning.
The problems and struggles of daily life create distance between Nima and Sarah. The two have no hope of a relationship and are trying to divorce, but an accident with a child, Mehran, changes their lives.
A recently married young couple unknowingly , spending their honey moon in a villa with history of paranormal activities in a secluded , remote area out of town . They invite some of friends to enjoy the festivities . While there , the group experiences and witness bizarre paranormal behavior
