Cinematography
Most of the time, Roland Barthes is classified in the category of the 1970s intellectuals, where all his fascinating singularity fades. Our movie holds exactly to the desire of making perceptible his singularity. In this purpose, the movie is constituted by an editing of archives, articulated around Barthes presence and the progress of his career. It is thus a kind of a Roland Barthes’s cinematic version by Roland Barthes, a self–portrait that could be resumed by a point of view as accurate as possible.
Director of Photography
An insight into the novelist and philosopher Simone de Beauvoir, who was also a political activist and feminist.
Director of Photography
Director of Photography
France has been living alone in her apartment since the death of her husband. When she hears on the radio that the Singa association puts homeless migrants in contact with people who can take them in, she decides, against the advice of her family, led by her son, to take in Reza, a young Afghan broken by war and exodus. This is the story of two worlds that collide, get used to each other and end up reaching out to each other.
