Claudia Paz

A man whose wife has committed suicide, appears to him as a ghost. The ghost follows him everywhere, under the bed, under tables… After seeing the ghost so frequently, the man begins to resemble her.

María Luisa Bombal is an underground writer in the early twenties trying to reconcile her passionate and very sexual lifestyle with her life as a socialite among Santiago's very conservative elite.

Isidora, an old woman, discovers that her mind is quickly deteriorating. At an apparently relaxed dinner table, she will desperately try to hide her state from her daughter, a demanding woman who awaits any sign of senility in order to take way everything she has.

Elisa, a lonely and shy librarian, moves to live in a downtown building, without knowing the killing of a young student took place there some time ago. A strange feeling taking over her will cause a drastic personality change while also leading her to unveil the secret behind the murder.

Raquel has been the live-in housekeeper for a kind, reasonably wealthy family for half her life, and the joyless repetition of the job has begun to take its toll. Increasingly dependent on painkillers, Raquel resorts to pranks and childish avoidance to antagonize the family’s college-age daughter and a procession of new servants, all in the hopes of protecting her precarious power within the home. Her antics successfully push everyone away, until new maid Lucy actually pushes back.

Dramatic comedy that raise questions through satire about the moral tradition of Chilean society, its dogmatism and sexual intolerance and the repressive nature of the country's traditional family.

Many socially-concerned priests in Catholic Latin America have at some time left their parish churches to go and work in the fields and factories of the poor. Such priests, usually adherents of "liberation theology," are called "worker-priests." This Chilean film tells the story of how one man became a "worker-priest" and won the trust of the poor.