Kreuzeder was once a successful commissioner, but now he rarely solves a case. After more than 20 years in the service, he just wants to retire as quickly as possible and leave everyday life in the homicide squad in Lower Bavaria behind. Kreuzeder is of the opinion that humanity is coming to an end anyway, so he prefers to get drunk in the tavern and flirt with the waitress Gerda Bichler there instead of going about his work.
Death (in Bavarian: Boandlkramer) is supposed to get little Maxl, but he falls in love with Maxl's mother. Confused by the previously unknown feelings, he confides in the devil. The incarnate persuades him to start a business where the Boandlkramer gets the chance to compete for Gefi as a mortal. Encouraged by the advice of the recently deceased womanizer Max Gumberger, the Boandl stumbles through earthly life in search of eternal love.
A small town in Western Germany is the last stop for 26,000 pigs per day and a brief home for masses of Eastern European temporary workers. The workers of the largest slaughterhouse in the country are fighting for survival, while German activists who stand up for their rights are fighting against the local authorities. At the same time, Munich high school students are working on the play "Saint Joan of the Stockyards" and trying to grasp the old text and German capitalism of our days. Interwoven with the young people's examination of the text in the rehearsals, the film deals in various fragments with conditions and facets of temporary work and labour migration in Germany.
For 17-year-old Jennifer, gaming has always been part of everyday teenage life. Recently she has been feeling uncomfortable and lonely. Not so long ago she moved to Munich with her parents Frank and Ariane from another city. In her new home, the girl does not find a real connection with her new classmates. Fixed by the virtual reality game "Avalonia", gaming is gradually becoming the elixir of life. Jennifer neglects her school and family responsibilities. She ignores all admonitions, restrictions and prohibitions for every precious second of the game and betrays her parents. Only the secret, excessive immersion in the virtual fantasy world of "Avalonia" seems to make Jennifer happy. The Parents have to watch as their daughter's life gets completely out of balance between the real and the virtual world.
When you have to bury the dead, 'cause you can't make a living as a dairy farmer anymore and vegan hippies try to find their peace in a hidebound village, life starts to reveal its absurdity. The documentary sooner or later tells the tragicomic story of a villages' struggle for the future.
