Richard Rush
出生 : 1929-04-15, New York City, New York, USA
死亡 : 2021-04-08
略歴
From Wikipedia, the free encyclopedia.
Richard Rush (born April 15, 1929, in New York City) is an American movie director, scriptwriter, and producer. He is best known for the Oscar-nominated The Stunt Man. His other works, however, have been less celebrated. The next best-known of his movies is Color of Night — also nominated, but in this case for the Golden Raspberry Award. Rush also directed Freebie and The Bean, an over-the-top police buddy comedy/drama starring Alan Arkin and James Caan. He co-wrote the screenplay for the 1990 movie Air America.
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Gary Kent was the king of B movies in the Sixties and Seventies, working for indie directors from Richard Rush to Ray Dennis Stickler to Al Adamson, but he's tackled even larger real-life challenges.
Himself
Shane Black ("Lethal Weapon"), John Carpenter ("Halloween"), Frank Darabont ("The Shawshank Redemption"), William Goldman ("The Princess Bride"), Paul Schrader ("Taxi Driver"), and dozens of other Hollywood screenwriters share hilarious anecdotes and penetrating insights in "Tales from the Script," the most comprehensive documentary ever made about screenwriting. By analyzing their triumphs and recalling their failures, the participants explain how successful writers develop the skills necessary for toughing out careers in one of the world's most competitive industries. They also reveal the untold stories behind some of the greatest screenplays ever written, describing their adventures with luminaries including Harrison Ford, Stanley Kubrick, Joel Silver, Martin Scorsese, and Steven Spielberg. The film was produced in tandem with the upcoming HarperCollins book of the same name.
Narrator
In 1980, The Stunt Man, starring Peter O'Toole and Steve Railsback, became one of the most acclaimed motion pictures of the decade -- an odd mixture of black humor and riveting suspense. But the strange history of the film's embattled development, production and distribution has never been fully revealed ... until now.
Producer
In 1980, The Stunt Man, starring Peter O'Toole and Steve Railsback, became one of the most acclaimed motion pictures of the decade -- an odd mixture of black humor and riveting suspense. But the strange history of the film's embattled development, production and distribution has never been fully revealed ... until now.
Writer
In 1980, The Stunt Man, starring Peter O'Toole and Steve Railsback, became one of the most acclaimed motion pictures of the decade -- an odd mixture of black humor and riveting suspense. But the strange history of the film's embattled development, production and distribution has never been fully revealed ... until now.
Director
In 1980, The Stunt Man, starring Peter O'Toole and Steve Railsback, became one of the most acclaimed motion pictures of the decade -- an odd mixture of black humor and riveting suspense. But the strange history of the film's embattled development, production and distribution has never been fully revealed ... until now.
Director
When New York psychiatrist Bill Capa visits Los Angeles to take over his murdered colleague's therapy group, he finds himself embroiled in the thick of a mystery when he bumps into Rose and begins a torrid affair.
Screenplay
Air America was the CIA's private airline operating in Laos during the Vietnam War, running anything and everything from soldiers to foodstuffs for local villagers. After losing his pilot's license, Billy Covington is recruited into it, and ends up in the middle of a bunch of lunatic pilots, gun-running by his friend Gene Ryack, and opium smuggling by his own superiors.
Writer
While on the run from the police, Steve Railsback hides in a group of moviemakers where he pretends to be a stunt man. Both aided and endangered by the director he avoids both the police and sudden death as a stuntman. The mixture of real danger and fantasy of the movie is an interesting twist for the viewer as the two blend in individual scenes.
Producer
While on the run from the police, Steve Railsback hides in a group of moviemakers where he pretends to be a stunt man. Both aided and endangered by the director he avoids both the police and sudden death as a stuntman. The mixture of real danger and fantasy of the movie is an interesting twist for the viewer as the two blend in individual scenes.
Adaptation
While on the run from the police, Steve Railsback hides in a group of moviemakers where he pretends to be a stunt man. Both aided and endangered by the director he avoids both the police and sudden death as a stuntman. The mixture of real danger and fantasy of the movie is an interesting twist for the viewer as the two blend in individual scenes.
Director
While on the run from the police, Steve Railsback hides in a group of moviemakers where he pretends to be a stunt man. Both aided and endangered by the director he avoids both the police and sudden death as a stuntman. The mixture of real danger and fantasy of the movie is an interesting twist for the viewer as the two blend in individual scenes.
Producer
Two San Francisco detectives want to bring down a local hijacking boss. But they'll have to get to him before a hitman does.
Director
Two San Francisco detectives want to bring down a local hijacking boss. But they'll have to get to him before a hitman does.
Producer
Graduate student Harry Bailey was once one of the most visible undergraduate activists on campus, but now that he's back studying for his master's, he's trying to fly right. Trouble is, the campus is exploding with various student movements, and Harry's girlfriend, Jan, is caught up in most of them. As Harry gets closer to finishing his degree, he finds his iconoclastic attitude increasingly aligned with the students rather than the faculty.
Director
Graduate student Harry Bailey was once one of the most visible undergraduate activists on campus, but now that he's back studying for his master's, he's trying to fly right. Trouble is, the campus is exploding with various student movements, and Harry's girlfriend, Jan, is caught up in most of them. As Harry gets closer to finishing his degree, he finds his iconoclastic attitude increasingly aligned with the students rather than the faculty.
Director
Biker gang leader Kisum (Adam Roarke) loves waitress Marcia Little Hawk (Joanna Frank). Her brother Johnnie Little Hawk (Robert Walker, Jr.), the leader of a group of American Indians disapproves. At various times these two groups are adversaries and allies. The two groups join forces but crooked businessmen scheme to have them at each other's throats again. The theme song "Anyone for Tennis" is by Cream. The Iron Butterfly are heard playing their classic "Iron Butterfly Theme." Producer Dick Clark and director Richard Rush made "Psych-Out" earlier in the year.
Director
Jenny, a deaf runaway who has just arrived in San Francisco's Haight-Ashbury district to find her long-lost brother, a mysterious bearded sculptor known around town as The Seeker. She falls in with a psychedelic band, Mumblin' Jim, whose members include Stoney, Ben, and Elwood. They hide her from the fuzz in their crash pad, a Victorian house crowded with love beads and necking couples. Mumblin' Jim's truth-seeking friend Dave considers the band's pursuit of success "playing games," but he agrees to help Jennie anyway.
Director
An agent finds himself pitted against a former Nazi who has a plan to become ruler of the world through mind control.
Director
A U.S. engineer (Tab Hunter) in Spain hunts thieves of two candlesticks, one of which is found in his suitcase.
Director
At first gas station attendant Poet is happy when the rockers gang “Hell’s Angels” finally accepts him. But he’s shocked when he learns how brutal they are – not even murder is a taboo to them. He gets himself in trouble when the leader’s girlfriend falls in love with him – and he welcomes her approaches.
Director
Stock car racer Tommy Callahan is forced to join Pete Madsen's thrill circus after his blackouts cause a fatal accident that gets him thrown off the circuit.
Screenplay
American engineer Steve Corey comes to Mexico to work at one of the mining projects owned by Katherine Beckman and her half-brother Paul. He meets Katherine, and the man he is replacing, Bill Maxton, tells him that Katherine is his for the asking..."all you have to do is touch her---she goes off like fireworks. There were plenty of guys before me, and there'll be plenty after me." Steve finds Katherine as advertised but he falls in love with her. Once he sees that the romance is for real, brother Paul is more than a little displeased at this turn of events and brings back one of Katherine's earlier flames, Gus Cole, to tempt Katherine away from Steve.
Director
American engineer Steve Corey comes to Mexico to work at one of the mining projects owned by Katherine Beckman and her half-brother Paul. He meets Katherine, and the man he is replacing, Bill Maxton, tells him that Katherine is his for the asking..."all you have to do is touch her---she goes off like fireworks. There were plenty of guys before me, and there'll be plenty after me." Steve finds Katherine as advertised but he falls in love with her. Once he sees that the romance is for real, brother Paul is more than a little displeased at this turn of events and brings back one of Katherine's earlier flames, Gus Cole, to tempt Katherine away from Steve.
Producer
Unmarried teenage lovers turn to desperate measures after their clandestine tryst results in an unplanned pregnancy.
Story
Unmarried teenage lovers turn to desperate measures after their clandestine tryst results in an unplanned pregnancy.
Screenplay
Unmarried teenage lovers turn to desperate measures after their clandestine tryst results in an unplanned pregnancy.
Director
Unmarried teenage lovers turn to desperate measures after their clandestine tryst results in an unplanned pregnancy.