Bradley Eros

参加作品

Colour Theory (Light On Light) [After Goethe]
Director
COLOUR THEORY uses a multitude of white projector light [all possible variations: 35mm, 16mm, R8 & S8mm, 35mm slide] with a spectrum [RYB/OGV] of hand-manipulated coloured gels, moving apart & over-lapping in layers, to create a blended mixture of myriad shades, performed live from the booth as a sequence of variations from a colour-coded score.
Radical Thought
Director
“Without giving away too much, I’ll just say that the ‘soundtrack’ is inside the mind of the viewer, as they experience the ‘film’. An experiment & a provocation.” –Bradley Eros
60 Seconds of Solitude in Year Zero
Director
An anthology of one-minute films created by 60 international filmmakers on the theme of the death of cinema. Intended as an ode to 35mm, the film was screened one time only on a purpose-built 20x12 meter public cinema screen in the Port of Tallinn, Estonia, on 22 December 2011. A special projector was constructed for the event which allowed the actual filmstrip to be burnt at the same time as the film was shown.
TransTrans (TransformersTransformed)
Director
A radical remix of the recent Transformers film, via synthetic collapse and critical revenge on its old & new fascist tropes > celebrating SPEED. NOISE. + DANGER. The fervent declarations & violent poetry of the Futurists are superimposed on the mythic morphology of the Autobot blockbuster’s machine mayhem. Images of death & destruction reign in a delirium of transformations as, to quote Marinetti: “We Decompose the Universe!”
mercury
Director
“In the context of an ‘Imageless Films’ series, it’s significant that ‘mercury’ is radio as cinema, ~ a looped excerpt from Orson Welles’s Mercury Theatre radio play of DRACULA, a performance of sound creating sight, but especially, the utterances and hallucinated descriptions of Mina (from Bram Stoker’s novel) in a trance, picturing what she visualizes in a hypnotized state: the narcoleptic sibilances of a somnambulistic cinema, manifesting what is not present to others ~ & the experience ends (for the live audience) with a shock of mirrored reflection ~ something real in the room!” – Bradley Eros
Dervish Machine
Director
Hand-developed meditations on being and movement, as inspired by Gysin's Dreammachine, Sufi mysticism, and early cinema. A knowledge of the fragility of existence mirrors the tenuousness of the material. The film itself becomes the site to experience impermanence, and to revel in the unfixed image.
Electramorphic
Director
Erotic Psyche [Bradley Eros & Aline Mare] ELECTRAMORPHIC 1987, 14 min, Super-8mm-to-16mm Visions of creation & destruction: the birth of pyromania and explosive technology. Promethea’s homage to Reich & Tesla and the Orgone of Alternating Current. ‘Very Kali-graphic.’
Electramorphic
Bio-Electric Myth & The Alchemist
Erotic Psyche [Bradley Eros & Aline Mare] ELECTRAMORPHIC 1987, 14 min, Super-8mm-to-16mm Visions of creation & destruction: the birth of pyromania and explosive technology. Promethea’s homage to Reich & Tesla and the Orgone of Alternating Current. ‘Very Kali-graphic.’
Maya
Director