Chiara Marotta

参加作品

The Moment of Transition
Editor
Until she was 16, filmmaker Chiara Marotta lived in a Christian community where everything revolved around prayer and reflection. Life was bound by regularity and rules that kept contact with the outside world to a minimum. The rebellious Marotta couldn’t stand it, but when she left, her grandmother, mother, and sister stayed behind.
The Moment of Transition
Director of Photography
Until she was 16, filmmaker Chiara Marotta lived in a Christian community where everything revolved around prayer and reflection. Life was bound by regularity and rules that kept contact with the outside world to a minimum. The rebellious Marotta couldn’t stand it, but when she left, her grandmother, mother, and sister stayed behind.
The Moment of Transition
Director
Until she was 16, filmmaker Chiara Marotta lived in a Christian community where everything revolved around prayer and reflection. Life was bound by regularity and rules that kept contact with the outside world to a minimum. The rebellious Marotta couldn’t stand it, but when she left, her grandmother, mother, and sister stayed behind.
The Shift
Editor
Anna and Lucia, two women in their twenties, one Italian and one of Nigerian origin, take turns caring for Maria, a bedridden old lady living in a large, antiquated and silent house. Anna looks after Maria during the day, while Lucia has the night shift: the change of shift is the only moment at which the two young women meet, but in that short span of time the differences between them flare up every day, in a conflict in which each asserts—one at the expense of the other—her own position in the world.
The Shift
Screenplay
Anna and Lucia, two women in their twenties, one Italian and one of Nigerian origin, take turns caring for Maria, a bedridden old lady living in a large, antiquated and silent house. Anna looks after Maria during the day, while Lucia has the night shift: the change of shift is the only moment at which the two young women meet, but in that short span of time the differences between them flare up every day, in a conflict in which each asserts—one at the expense of the other—her own position in the world.
The Shift
Director
Anna and Lucia, two women in their twenties, one Italian and one of Nigerian origin, take turns caring for Maria, a bedridden old lady living in a large, antiquated and silent house. Anna looks after Maria during the day, while Lucia has the night shift: the change of shift is the only moment at which the two young women meet, but in that short span of time the differences between them flare up every day, in a conflict in which each asserts—one at the expense of the other—her own position in the world.
Bitter Years
Editor
A drama film based on the life of Mario Mieli, a leading figure in the Italian gay movement of the 1970s.
Veronica Doesn’t Smoke
Editor
Veronica is 17 years old and for a long time she has been spying from afar a life different from hers, and she chose it for herself. When she finally manages to approach Alessia, she immerses herself completely in this new world that appears to be the same and at the same time different from what she imagined.
Veronica Doesn’t Smoke
Director
Veronica is 17 years old and for a long time she has been spying from afar a life different from hers, and she chose it for herself. When she finally manages to approach Alessia, she immerses herself completely in this new world that appears to be the same and at the same time different from what she imagined.
Veronica Doesn’t Smoke
Screenplay
Veronica is 17 years old and for a long time she has been spying from afar a life different from hers, and she chose it for herself. When she finally manages to approach Alessia, she immerses herself completely in this new world that appears to be the same and at the same time different from what she imagined.
The Last to See Them
Makeup Artist
Southern Italy, the end of summer: the Durati family lives in an isolated house amidst the imposing rocky landscape. Both protected and cut off from everything, they are connected to the outside world by a single road that runs through their olive tree plantation. Today, as they prepare to celebrate the older sister’s impending wedding, time flies in this secluded reality. Dora, Matteo, Renzo and Alice Durati don’t realize this is their last day alive.
Those Bad Things
Writer
You cannot choose your parents or the place where you are born. These are the thoughts of a daughter who cannot rebel. As a little girl, she spent a lot of time with her mother, a fervent Catholic woman. She would have rather spent time with her father, but he was busy hiding an extra-marital affair everyone knew but kept quiet about. Today, time goes by slowly inside and outside their home. Family problems are silenced, the Campania region suburbs lie on the background.