Federico Gnesini

参加作品

ムッソリーニの財宝を狙え
Story
At the end of WWII, an ambitious bootlegger and his nightclub-singing girlfriend assemble a ragtag bunch of misfits for an impossible heist: to steal Mussolini's treasure right from his headquarters.
ムッソリーニの財宝を狙え
Screenplay
At the end of WWII, an ambitious bootlegger and his nightclub-singing girlfriend assemble a ragtag bunch of misfits for an impossible heist: to steal Mussolini's treasure right from his headquarters.
Anahit
Director
In the Age of Saints, after a plague, two monks set out on a journey to recover something very precious that was stolen from their monastery.
The Ruthless
Story
Milan, Italy, 1967. Santo Russo, a boy of Calabrian origin, arrives north with his parents and younger brother to find better living conditions. Due to an absurd misunderstanding and his father's contempt, Santo ends up in prison, where he gets a “true education.” In 1978, he and his friends Slim and Mario embark on a 15-year criminal career, a successful and ruthless spiral of robberies, kidnappings, murders and heroin smuggling.
The Ruthless
Screenplay
Milan, Italy, 1967. Santo Russo, a boy of Calabrian origin, arrives north with his parents and younger brother to find better living conditions. Due to an absurd misunderstanding and his father's contempt, Santo ends up in prison, where he gets a “true education.” In 1978, he and his friends Slim and Mario embark on a 15-year criminal career, a successful and ruthless spiral of robberies, kidnappings, murders and heroin smuggling.
Aquarium
Writer
Swimming in a public pool, a young boy faces great danger.
Italian Gangsters
Story
A journey inside the most sensational exploits of the forgotten post–WWII Italian underworld. Thirty years of crime told through first-hand accounts, reenactments, old movies, news and other archive footage—painting the portrait of a country undergoing major social changes.
Italian Gangsters
Screenplay
A journey inside the most sensational exploits of the forgotten post–WWII Italian underworld. Thirty years of crime told through first-hand accounts, reenactments, old movies, news and other archive footage—painting the portrait of a country undergoing major social changes.