Husein M. Atmodjo

Laras, a prostitute who should have been killed by a customer who is crazy about her, is rejected by death because of the implants embedded in her body. Now the fate of the prostitute is determined by the two closest people to find a way to cure the implant user with a body that continues to decompose and begins to create terror for those around him.

Laras, a prostitute who should have been killed by a customer who is crazy about her, is rejected by death because of the implants embedded in her body. Now the fate of the prostitute is determined by the two closest people to find a way to cure the implant user with a body that continues to decompose and begins to create terror for those around him.

Ben is determined to challenge a higher ranked enemy to become the number 1 Player in Virtuora, because the number 1 player has the right to change the game system.

Five friends vacation plans turned into a disaster when trapped in a mysterious house in Kaliurang, which is located at the foot of Mount Merapi. The house that was supposed to be a place to stay was actually holding grudges and anger. Will they be able to return home safely? Brama, Kinan, Anom, Aji and Rani who decided to rest in a comfortable house on the way, realized that they were trapped in something terrible.

To save his father, a master forger sets out to steal an invaluable painting with the help of a motley crew of specialists.

Six months after PETA's failure to fight Nippon, Hardo returns to his village in Blora. His presence is smelled by Nippon, tracked and pursued. In a chase one day and night before the proclamation of independence, a drama of struggle is revealed. The betrayal of Hardo's fiance's father is juxtaposed with the betrayal of his best friend Karmin; the resistance of Dipo and Kartiman juxtaposed with Hardo's resistance; the cruelty of the war and the ego of the invaders, a shidokan of Nippon juxtaposed with the deterioration of war victims of Hardo and Ningsih's father.

Dimas and Satria Soedibyo actually has many questions when their father died: their grandfather; Rusdi Soedibyo, is a famous painter in the 80s, the death of their mother who was never told, the house that is now suddenly passed on to them, also about a painting hidden in the house. Dimas invites his wife and child, Astrid and Sandra, to visit the house to find answers. Satria finds various items that make him sure, that the house might have been occupied by them as a child. In that house, when the night comes, appeares the figure of a woman dressed in Javanese nobility, who haunting Satria. Dimas actually want to sell the house to a collector who believes that there is a very high value painting in the house. The painting is later discovered by Sandra. The Queen of South painting by the grandfather was the source of the Soedibyo family's disaster for decades. The figure behind the painting now threatens the safety of Dimas, Satria, Astrid and Sandra.

Annisa married Bara, a widower with a daughter named Lara. Bara takes a picnic to the island that is still rarely visited by tourists, Bengalor Island, so that his wife and child could get familiar with each other. The island of Bengalor turns out to be a mystery. Annisa is surprised by the appearance of a scary child. Lara also sees a figure similar to her biological mother who is dead. Bara doesn't believe the story of Annisa and Lara. This scary and tense atmosphere actually bring Lara closer to Annisa. Both are determined to protect each other.

Events happening in the 22 minutes before, during and after the explosions of the Thamrin bombings. Based on a true story.

Inspired by a true story about a young rookie detective paired with an experienced officer, a flirtatious secretary, a prostitute, three thugs, a driver, a restaurant owner, a cook, and a business man, all related in one deadly connection rooted in greed, lust, and deceit.

A midnight showing (of a slasher film based on real story) in a quiet theatre became a terror when people getting killed by someone wearing mask.

The simple task of carrying a chest in an empty house becomes dire when realizing the house is not empty.