Bente Kaas

Marianne is going on 17, she feels too fat, and struggles with the ideals girls have to live up to to get accepted. When she meets her penpal Svein for the first time things look up, but she soon has to face new and unexpected problems when she discovers she is pregnant. Not being able to get support even from her own family, she has to make her life's most difficult decision on her own.

Marianne is going on 17, she feels too fat, and struggles with the ideals girls have to live up to to get accepted. When she meets her penpal Svein for the first time things look up, but she soon has to face new and unexpected problems when she discovers she is pregnant. Not being able to get support even from her own family, she has to make her life's most difficult decision on her own.

Norwegian: The late 19th century Christiania (Oslo) could offer a rich variety of entertainment. There were several variety theatres and brothels, and poor women could earn money based on their looks. The beautiful variety actress Lucie (Inger Lise Rypdal) has met a lawyer by the name Gerner (Gösta Ekman), a refined gentleman. Flowers and encounters outside the theatre develops into an erotic relationship. Lucie knows how to play on Gerner's jealousy and masculine pride, and finally she reaches her goal: becoming Mrs Gerner. For Lucie this means climbing the social ladder, but she'll soon notice the problems. Living in the upperclass society keeps reminding her of her poor background and her lack of etiquette. All this affects Gerner in a negative way, who is plagued by jealousy regarding people from Lucie's past. The relationship between the married couple keeps getting worse.

Set in Bergen anno 1912 in a time of social distress, class division and depression. Follows the day of Herdis, an eight year old girl from the upper class, while her family is disintegrating

Three old friends meet at a school reunion, and after trading the current details of their lives, the women come to realize how much they are dominated by their respective husbands’ needs and demands. Aching for a taste of freedom, the three decide to go off on a brief holiday spree together, away from jobs and families. 'Wives' is a delightful, ironic look at how a new generation of women was beginning to rebel against social conventions and gender expectations.

The Olsen Gang has to pay for their summer vacation in Spain, and Egon is hired to open a safe with black market money in Switzerland. He is conned, but Egon has sworn revenge.

Den siste Fleksnes (English: The last Fleksnes) is a 1974 Norwegian comedy film directed by Bo Hermansson, starring Rolv Wesenlund and Aud Schønemann. The film is based on the television sitcom Fleksnes Fataliteter.Marve Fleksnes (Wesenlund) lives a comfortable life with his mother (Schønemann), but misses a woman in his life. He is afraid he might become the last Fleksnes. His mother enrols him in a charm school, where he excels. At the same time, a young lady moves into the apartment across the hall.