J.B. Letchinger

This charming documentary showcases the career of musical-comedy sensation Kaye Ballard, whose ability to sing and tell jokes was ubiquitous in the late 20th century. Delightful moments are captured in rare archival footage and interviews with Ann-Margret, Michael Feinstein and Ballard herself.

The Emmy-winning story of how an American treasure hunter and a Mexican artist transformed a dying desert village into a home for world-class art.

The actor and the writer reminisce about working on both the Playhouse 90 and Stanley Kramer versions of "Judgment at Nuremberg."

The actor and the writer reminisce about working on both the Playhouse 90 and Stanley Kramer versions of "Judgment at Nuremberg."

A celebration of Stanley Kramer's life and career, featuring interviews with Karen Sharpe, his widow, and screenwriter Abby Mann.

Filmmaker Godfrey Reggio and composer Philip Glass talk about their 1982 film "Koyaanisqatsi."

Filmmaker Godfrey Reggio and composer Philip Glass discuss their films "Powaqqatsi" (1988) and "Naqoyqatsi" (2002).

Interview with cinematographer Vilmos Zsigmond about "The Long Goodbye" (1973)

Interviews with Robert Altman and Elliott Gould about The Long Goodbye (1973)

Tired of being used and abused by the opposite sex, three girlfriends decide to turn the tables on the guys who cross them by teaching them a sex-ed lesson they'll never forget! But their little scheme backfires when their secret gets out, and when one of the school's jocks goes too far, he sets into motion a chain of events that could change all their lives forever.

The story of two women one Straight the other Gay, both ending long term loveless relationships. Together they find the love and respect they both deserve and long for.

At a mental institution, the resident physician, Dr Cohen, encourages his patients who believe they are important Nazi figures to act out their fantasies. The therapy sessions show Hitler consolidating his power by assembling his gang of supporters; however, they are interrupted at times, once because Davidson's uniform is at the dry cleaners, and another time because a patient who believes he is Picasso interrupts a session.