When a retiring assassin realizes that he is the target of a hit, he winds up back in the game going head to head with a gang of younger, ruthless killers.
Christopher Merk moves into a building in which every tenant can observe every other tenant through a system of perpetually running cameras installed in the apartments. The tenants are eager participants in this micro-culture of exhibitionism and voyeurism, but Christopher soon finds he has difficulty recognizing himself in his on-screen image.
