Ping Fan

A lifeguard rescues a millionaire who is involved in a plane crash. He gives his blood to save the rich man's life, but this turns the rich man's white hair into black and the lifeguard starts to age...

A villain steals a kung fu manual and kills the good swordsmen it belongs to. He masters the powers it offers and goes on to commit various evils. Twenty years later, a young swordsman heads off to take him to account. On the way he meets a couple of feisty young swordswomen, and his life gets more complicated.

Yang Mengchi is a spoiled, rich do-nothing whose habit of smoking opium has cost him his entire fortune and the family mansion, the Garden of Repose, now due to be sold to Yao Guodong. Fearing that Yao's spoiled and unruly son Siaofu will follow in Yang's footsteps, Yao's stepwife Wan Zhaohua tries to instil discipline in the child but her efforts are undermined by the child's indulging and protective father and grandmother. Unable to reform himself despite his own son's chastisement, Yang leaves home to lead a reclusive life in a destitute temple, only helped out by his filial daughter Han'er. The poverty-stricken Yang is drafted into the army and tragedy ensues.

Nikolai Gogol's The Inspector General is a satire play well-known around the world. In the period between the end of World War II and the 1960s, the play was adapted in Hong Kong cinema a total of six times. Director Huang Yu alone adapted it twice, as a Republic era story and a period comedy, respectively. The 1955 Republic era-set film is more faithful to its source material, following a spoiled rich brat who is mistaken as a government inspector in a small town and ends up being wined and dined by a corrupted local official. The film pokes fun at the ugliness of bureaucracy in old society, calling back to renowned Qing Dynasty novel Officialdom Unmasked while keeping the original play's artistic style.

This is a story of how Ru Ji, a farm girl of Chao Kuo, who sacrificed her own life to save her country and people in the year 257 B.C.

An early Musical by the Hsin Hwa Motion Picture Company.

Teacher Huang San extends to his pupils the high principles of patriotism, thus arousing the hatred of the occupying Japanese. Huang is forced to flee and to escape from the Japanese clutches. One night, he helps a robber escape from a pursuing Japanese officer by firing his gun and thus unintentionally kills the Japanese. Huang San follows to his hideout and from then on, Huang San joins the bandits. Huang San attempts to rob a house but discovers that the occupant is none other than his student Wang Zhongkang who is involved with the guerrillas. Huang San decides to help Zhongkang raid the military arsenal of the enemy. However, as Huang gradually gains the trust of their chief, some jealous associates within the bandit group informs on him. Huang and Zhongkang carry out their raid amid a fierce confrontation, Zhongkang successfully implements his mission but Huang is killed in the battle.

Four sisters, each with their different characters, embark on their separate roads to romance. Elder sister has vast experience of romance; second sister is predisposed to vampiness and wantonness; third sister is righteous and of noble character; fourth sister is just reaching puberty and experiencing the pangs of first love. Being sentimental, flirtatious and amorous, the four sisters form a backdrop conducive to songs and tripping the light fantastic.

Showing off his love of visual aesthetics as a painter, director Dan Duyu combines elegance, exoticism and oddity into a grand big-budget package with New Arabian Nights. Dan's vision is definitely not bound by the source material, but his magical and music-filled version of the orient turns out to be not so different from how Western storytellers would imagine it.