Writer
ナチスドイツ支配下のフランスからスイスへ、子どもたちだけで旅を続けたユダヤ人の少女の実話を映画化したヒューマンドラマ。1943年、ナチスドイツの脅威がヨーロッパへ広がり、フランスも支配下に置かれた。13歳のユダヤ人の少女ファニーは、幼い2人の妹とともに児童施設に匿われていたが、密告者によって存在が暴かれてしまい、別の施設に移動することに。しかし、ドイツ兵の厳しい取り締まりのため、移動中に引率者とはぐれてしまう。見知らぬ駅に取り残された9人の子どもたちは、ファニーをリーダー役に、一路スイスを目指して子どもたちだけで移動を開始するが……。実在の女性ファニー・ベン＝アミの自伝を原作に、フランスの名匠ジャック・ドワイヨンを父に持つローラ・ドワイヨン監督が手がけた。
Director
ナチスドイツ支配下のフランスからスイスへ、子どもたちだけで旅を続けたユダヤ人の少女の実話を映画化したヒューマンドラマ。1943年、ナチスドイツの脅威がヨーロッパへ広がり、フランスも支配下に置かれた。13歳のユダヤ人の少女ファニーは、幼い2人の妹とともに児童施設に匿われていたが、密告者によって存在が暴かれてしまい、別の施設に移動することに。しかし、ドイツ兵の厳しい取り締まりのため、移動中に引率者とはぐれてしまう。見知らぬ駅に取り残された9人の子どもたちは、ファニーをリーダー役に、一路スイスを目指して子どもたちだけで移動を開始するが……。実在の女性ファニー・ベン＝アミの自伝を原作に、フランスの名匠ジャック・ドワイヨンを父に持つローラ・ドワイヨン監督が手がけた。
Self
Is there such a thing as strictly feminine cinema? Is it more difficult for a woman than for a man to direct a film? Is gender parity necessary in the industry? Actress and producer Julie GAYET and actor and director Mathieu BUSSON ask these questions to twenty French woman filmmakers, who face a camera together for the first time. After over an hour of lively, informal, spontaneous and funny interviews, it becomes obvious that these issues are still problematic and definitely worthy of a documentary. As Mia HANSEN-LØVE remarks, “In the eyes of the people, a woman’s film is always a woman’s film, while a man’s movie is simply… a movie”.
Screenplay
Stockholm Syndrome. Feelings arise between a young kidnapper and his victim, a woman surgeon. He seeks revenge for a medical accident that prevents him from living peacefully and decides to kidnapp the woman he holds responsible. When the latter manage to escape, she can't stop to meet her kidnapper again, for reasons of love and of vengeance.
Director
Stockholm Syndrome. Feelings arise between a young kidnapper and his victim, a woman surgeon. He seeks revenge for a medical accident that prevents him from living peacefully and decides to kidnapp the woman he holds responsible. When the latter manage to escape, she can't stop to meet her kidnapper again, for reasons of love and of vengeance.
Writer
End of High School, Beginning of Summer. A group of friends spend most of their time together, but little do they know that each and everyone of them has set their mind on pursuing one goal, the goal of every teenager : doing it for the first time. And sometimes the line between friendship, love and desire is really thin especially when you’re 15.
Director
End of High School, Beginning of Summer. A group of friends spend most of their time together, but little do they know that each and everyone of them has set their mind on pursuing one goal, the goal of every teenager : doing it for the first time. And sometimes the line between friendship, love and desire is really thin especially when you’re 15.
Casting
After losing her mother in a car accident that leaves her with a broken arm, 4-year-old Ponette struggles with anguish and fear. Left by her father with a caring aunt and her children, Ponette grieves, secretly hoping her mother will somehow come back. Confused by the religious explanations provided by adults, and challenged by the cruel taunts of a few children at school, little Ponette must make her way through her emotional turmoil.
Editor
This French thriller begins with a flashback to a small village dance where a six-year-old girl is kidnapped and killed. Seventeen years later the murder remains unsolved. The girl's parents Caroline and Chris have gone on with separate lives Caroline remarried and had another daughter while Chris became an alcoholic. The two are thrown back together when each begin receiving strange messages that imply their daughter has returned from the dead for vengeance. They contact a police detective (the lover of Caroline's best friend) who finds the case intriguing and decides to reopen it. Unfortunately, as soon as he begins questioning the old suspects, people begin to die.
Lola
Jacques returns after a long absence to his wife Dominique and their daughter Lola in their isolated house, located on a hillside in Provence. Dominique is crouching and crying. She had asked Jacques to go because she could not stand him seeing her crying. Jacques powerlessly witnesses the excesses of Dominique's emotions. She understands that he loves another woman, and ousts him again...
Screenplay
Director
