Manuel Rebella

参加作品

Luz Mala
Director of Photography
A winter night. An isolated house in a small town. Two warring sides must join forces to survive an evil tied to one of the field's oldest legends.
アルゼンチン1985 ~歴史を変えた裁判~
Camera Operator
1985年にアルゼンチンで実際に行われた軍事独裁政権に対する裁判を基にした作品。フリオ・ストラセラ検事、ルイス・モレノ・オカンポ副検事、そして法を信じる若者たちが一丸となり、強大な相手との裁判に挑む。クーデターで発足したアルゼンチンの軍事独裁政権は国民に過剰な弾圧を行った。その犠牲者たちに正義をもたらすため、ストラセラ検事たちは限られた準備時間の中で、脅しや困難に屈せず、軍事独裁政権の幹部らの責任を追及していく。
愛欲の不時着
Director of Photography
Joan is a naïve, 16-year-old who falls in love easily. One day he decides to escape to the provinces with Luciana, a beautiful 35-year-old woman and a teacher at his school, in order to give free rein to his love. Soon, Joan discovers with horror that he has fallen into a trap that is a mix between sex, money, politics and violence.
Window Boy Would Also Like to Have a Submarine
Director of Photography
Aboard a cruise ship out at sea, a young sailor discovers a door mysteriously leading to an apartment in Montevideo. Meanwhile, a group of Asian farmers find an abandoned shed in the valley, attributing it supernatural powers.
A Taste of Blood
Director of Photography
After going off to kill a vampire, a man returns home at the magic hour, between night and day. His family has doubts about whether he's still human or whether he's been bitten by the undead. His teenage daughter is determined to defend him, but their doubts and fears grow as the darkness of the night approaches.
1982
Cinematography
In 1982, the Argentine military dictatorship invaded the Malvinas Islands, located 500 kilometers off the country’s coast. The dictatorial government left no stone unturned in using propaganda to convince the people of their mission. Consisting almost entirely of excerpts from the TV program 60 minutes, 1982 summarizes the media campaign that took place over the 74 days of war, when Argentine troops tried to take their island back from the British. We watch TV anchormen ask viewers to donate money for weapons, inspire them to sing the national anthem at home, and welcome government leaders as heroes as they “spontaneously” show up at the studio to celebrate the importance of the mission for the motherland.
The Silent Party
Director of Photography
The day before their wedding, Laura and Daniel go to her family country house. The couple is under a lot stress. She decides to take a walk, and ended in the young neighbour's house, where a silent party is taking place. What started like a fun night, quickly escalates in a violent and horrible experience.
Murder Me, Monster
Director of Photography
A rural police officer investigates the bizarre case of a headless woman's body. The prime suspect blames the crime on the appearance of a legendary monster.
Weep the Headless Madness of these Fields
Director of Photography
A girl dies in a provincial summer house and is buried by her family. By night a wild dog unearths the corpse and takes it to the woods. Under the shade of the trees, the girl wakes up and decides to return home accompanied by the dog.
Postman
Director of Photography
Set in the late ‘90s, in the height of the privatizations and the increase in poverty, Postman closely follows Hernán, a young man full of illusions that gets a job at the Central Post Office. There, a colleague teaches him the codes of the trade, but the harsh reality will force him to break them.
Those Who Love, Hate
First Assistant Camera
Enrique Hubermann, homeopathic physician, travels in flight from a love. By a joke of fate, in that distant place he meets the woman he wants to forget, a beautiful young woman like a demon who manipulates men and triggers dangerous passions.
Arachnids
Director of Photography
Arachnids, is a synchronized swimming team made up of five teenagers girls. One day, Nina, the new team member, discovers a dark connection between her companions and a nest of tarantulas.
Damn Lamb
Camera Operator
A couple invites their 4 children for a barbecue back at their farm by the seaside. A Sunday barbecue; endless toasts; a family like any other, yet a family like none other.
La barbarie
Director of Photography
18-year-old Nacho shows up at the cow-breeding ranch of his father, Marcos, whom he barely knows. His father is worried because, as the ranch’s yearly auction is approaching, several cows are dying without explanation. When Nacho finds out who is killing the cows and why, he understands the magnitude of the problem. Cornered by distress and confusion, he’ll have to choose: being a boss or not being a boss. Perpetuating the system, the insult, the abuse, or refusing to take part in it.