Francesca Archibugi

Everyone in Marco's life seems constantly restless, from his brilliant but unhappily married parents to his own wife Marina, or even Luisa, the real love of his life, a girl he met during a fateful summer in the '70s and always stayed in touch with. Tragedy and fate seem to haunt him, yet he somehow manages never to get ensnared in the chaos—like his namesake, “the hummingbird”, he focuses all his energy at standing still.

Everyone in Marco's life seems constantly restless, from his brilliant but unhappily married parents to his own wife Marina, or even Luisa, the real love of his life, a girl he met during a fateful summer in the '70s and always stayed in touch with. Tragedy and fate seem to haunt him, yet he somehow manages never to get ensnared in the chaos—like his namesake, “the hummingbird”, he focuses all his energy at standing still.

In Rome it hasn’t rained for three years and the lack of water is overturning rules and habits. Through the city dying of thirst and prohibitions moves a chorus of people, young and old, marginalised and successful, victims and profiteers. Their lives are linked in a single design, while each seeks his or her deliverance.

Opera Prima is a tribute and a journey through the evolution that cinema has had in Italy. Tayu Vlietstra, a pupil of Bertolucci, carries out an investigation on the first work of six of the most authoritative and beloved Italian directors. The result is an unpublished and precious document that reveals the emotions and expectations of directors grappling with their cinematic debut. Mario Monicelli, Bernardo Bertolucci, Lina Wertmüller, Marco Bellocchio, Liliana Cavani and Francesca Archibugi offer a still current evolution on the needs and difficulties of making cinema in our country.

In a respectable suburb made up of row houses, Luca Attorre — a freelance journalist who struggles to get his features published in the papers — is unable to maintain Susi, a ballerina reduced to teaching dance to overweight women, and Lucilla, their quiet and imaginative six-year- old daughter who suffers from severe bronchial asthma. They are helped economically by Pierpaolo, Luca’s seventeen-year-old son from a previous relationship. Pierpaolo lives in an Art Nouveau house with his mother and grandfather, an important trial lawyer of cases linked to politics who rakes in several million euros a year. In the setting of a magnificent and incomprehensible Rome, both a good mother and a bad one, Mary Ann, a deeply Catholic student of art history from Ireland, au pair for the little Lucilla, is caught in the middle.

In a respectable suburb made up of row houses, Luca Attorre — a freelance journalist who struggles to get his features published in the papers — is unable to maintain Susi, a ballerina reduced to teaching dance to overweight women, and Lucilla, their quiet and imaginative six-year- old daughter who suffers from severe bronchial asthma. They are helped economically by Pierpaolo, Luca’s seventeen-year-old son from a previous relationship. Pierpaolo lives in an Art Nouveau house with his mother and grandfather, an important trial lawyer of cases linked to politics who rakes in several million euros a year. In the setting of a magnificent and incomprehensible Rome, both a good mother and a bad one, Mary Ann, a deeply Catholic student of art history from Ireland, au pair for the little Lucilla, is caught in the middle.

In a respectable suburb made up of row houses, Luca Attorre — a freelance journalist who struggles to get his features published in the papers — is unable to maintain Susi, a ballerina reduced to teaching dance to overweight women, and Lucilla, their quiet and imaginative six-year- old daughter who suffers from severe bronchial asthma. They are helped economically by Pierpaolo, Luca’s seventeen-year-old son from a previous relationship. Pierpaolo lives in an Art Nouveau house with his mother and grandfather, an important trial lawyer of cases linked to politics who rakes in several million euros a year. In the setting of a magnificent and incomprehensible Rome, both a good mother and a bad one, Mary Ann, a deeply Catholic student of art history from Ireland, au pair for the little Lucilla, is caught in the middle.

Rome, 1990. The night Italy's national football team is eliminated from the World Cup by Argentina on penalty kicks, a well-known film producer is found dead in the Tiber river. The main suspects for the murder are three young aspiring screenwriters, who–promptly taken to the police–start to tell their version of the story.

A runaway couple go on an unforgettable journey from Boston to Key West, recapturing their passion for life and their love for each other on a road trip that provides revelation and surprise right up to the very end.

Giorgio and Tito, father and son. A successful journalist and a lazy teenager apparently impossible to understand. Giorgio's dream is to take Tito to the Nasca Hill in Liguria, but Tito prefers to spend his entire day with his group of friends, eating, talking about nothing and playing video games. Until one day when he suddenly informs his father that he would join him in this trip. After a series of accidents and misunderstandings, at the end, somehow father and son will find the way to communicate … or at least they will try.

Giorgio and Tito, father and son. A successful journalist and a lazy teenager apparently impossible to understand. Giorgio's dream is to take Tito to the Nasca Hill in Liguria, but Tito prefers to spend his entire day with his group of friends, eating, talking about nothing and playing video games. Until one day when he suddenly informs his father that he would join him in this trip. After a series of accidents and misunderstandings, at the end, somehow father and son will find the way to communicate … or at least they will try.

Beatrice is a blabbermouth and a so-called billionaire countess who likes to believe she’s in intimacy with world leaders. Donatella is a young quiet tattooed woman, locked in her own mystery. They are both patients of a mental institution and subject to custodial measures.

Paolo is an outgoing and handsome real estate broker married to Simona, a beautiful woman from the rough outskirts of Rome who has become an author of spicy bestsellers and is pregnant with their child. Betta, Paolo’s sister and her husband Sandro organise a dinner party with Paolo, Simona and their childhood friend, the eccentric musician Claudio. During the lively gathering Paolo reveals what he would like to name his son, causing reactions to steam up and a torrent of revelations to follow reaching climactic proportions.

Paolo is an outgoing and handsome real estate broker married to Simona, a beautiful woman from the rough outskirts of Rome who has become an author of spicy bestsellers and is pregnant with their child. Betta, Paolo’s sister and her husband Sandro organise a dinner party with Paolo, Simona and their childhood friend, the eccentric musician Claudio. During the lively gathering Paolo reveals what he would like to name his son, causing reactions to steam up and a torrent of revelations to follow reaching climactic proportions.

A documentary about Marcello Mastroianni.

“I approached Pierluigi Cappello when he became my bedside table companion. We didn’t know each other, but were already intimate. His poems are full of images, I might even have dreamt some. I didn’t know anything about his personal life, about the motorcycle accident when he was sixteen, and that he spent the rest of his life in a wheelchair. There’s no trace of it in the poems: in his verses Pierluigi runs, and sometimes he flies.”

“I approached Pierluigi Cappello when he became my bedside table companion. We didn’t know each other, but were already intimate. His poems are full of images, I might even have dreamt some. I didn’t know anything about his personal life, about the motorcycle accident when he was sixteen, and that he spent the rest of his life in a wheelchair. There’s no trace of it in the poems: in his verses Pierluigi runs, and sometimes he flies.”

A portrait of Laura Betti with archival footage and stories of friends: Bernardo Bertolucci remembers Laura in "Novecento" and in a lost sequence of "Last Tango in Paris", Giacomo Marramao and Walter Siti dwell on the relationship with Pier Paolo Pasolini, Francesca Archibugi remembers a precious friend, Michelle Kokosowski and Jack Lang talk about the successful and mutual love for France, Piero Tosi and Paolo Poli remember her youth, Jacqueline Risset her private life, Valentino Parlato her civic passion, Renato Nicolini recaps her difficult relationship with institutions, Filippo Crivelli remembers the singer. Views that seek to reconstruct the figure of an exceptional artist, unusual and contradictory.

Until the 1970s, Italian cinema dominated the international scene, even competing with Hollywood. Then, in just a few years, came its rapid decline, the flight of our greatest producers, a crisis among the best writer-directors, the collapse of production. But what are the true causes and circumstances of this decline? In an attempt to provide an answer to this question, Di Me Cosa Ne Sai strives to depict this great cultural change. Begun as a loving examination of Italian cinema, the film transformed into a docu-drama that alternates between interviews with the great names of the past and fragments of cultural and political life of the last 30 years. It is a travel diary that shows Italy from north to south, through movie theatres; television-addicted kids; Berlusconi and Fellini; shopping centers; TV news editors; stories of impassioned film exhibitors and directors who fight for their films; and interviews with itinerant projectionists and great European directors.

Garage owner Angelo and big-time film producer Alberto find themselves occupying neighbouring beds in a Rome hospital after suffering heart attacks. Alberto is a gregarious joker - and chain smoker - who has a strong effect on the impressionable Angelo. However, as one of the men's condition deteriorates, the other becomes more deeply involved in his personal life.

Garage owner Angelo and big-time film producer Alberto find themselves occupying neighbouring beds in a Rome hospital after suffering heart attacks. Alberto is a gregarious joker - and chain smoker - who has a strong effect on the impressionable Angelo. However, as one of the men's condition deteriorates, the other becomes more deeply involved in his personal life.

A pair of teen friends – known as "Chicken & Curry" because they are virtually inseparable – fail their high school finals and try to cover it by claiming that Curry is in the midst of an identity crisis that can only be solved by a visit to his ancestral homeland, India. While the ruse works wonderfully on their parents, this impromptu journey of self-discovery takes an unexpected detour when Curry locates his biological sister and remains captivated by the country he first despised, and Chicken falls for an older doctor working for Médecins Sans Frontières.

A pair of teen friends – known as "Chicken & Curry" because they are virtually inseparable – fail their high school finals and try to cover it by claiming that Curry is in the midst of an identity crisis that can only be solved by a visit to his ancestral homeland, India. While the ruse works wonderfully on their parents, this impromptu journey of self-discovery takes an unexpected detour when Curry locates his biological sister and remains captivated by the country he first despised, and Chicken falls for an older doctor working for Médecins Sans Frontières.

A pair of teen friends – known as "Chicken & Curry" because they are virtually inseparable – fail their high school finals and try to cover it by claiming that Curry is in the midst of an identity crisis that can only be solved by a visit to his ancestral homeland, India. While the ruse works wonderfully on their parents, this impromptu journey of self-discovery takes an unexpected detour when Curry locates his biological sister and remains captivated by the country he first despised, and Chicken falls for an older doctor working for Médecins Sans Frontières.

After shooting to fame with Federico Fellini’s “La Dolce Vita” (1960), actor Marcello Mastroianni (1924-1996) starred in more than 160 films in his nearly half-a-century career. Directors Mario Canale and Annarosa Morri look into the melancholic charm of one of the most famous Italian actors through interviews with his two daughters, Barbara and Chiara; directors Fellini and Luchino Visconti; actresses Claudia Cardinale and Anouk Aimee; and in archival footage of Mastroianni himself. The subject matter ranges from Mastroianni’s passion for kidney-bean pasta and his addiction to the telephone to his famous laziness, humility and talent. Shown in black-and-white, Mastroianni — elegantly holding a cigarette in between his fingers — is undeniably the dandy.

Loose adaptation of Italy's national epic, Alessandro Manzoni's “The Betrothed”. In war-torn 17th century Italy, shady feudal lord Don Rodrigo eyes young and beautiful Lucia, who loves—and is reciprocated by—commoner Renzo. The two lovers plan to marry in secret, but Rodrigo discovers it and they are forced to flee their village, becoming separated and each facing many dangers, includine the Plague.

Loose adaptation of Italy's national epic, Alessandro Manzoni's “The Betrothed”. In war-torn 17th century Italy, shady feudal lord Don Rodrigo eyes young and beautiful Lucia, who loves—and is reciprocated by—commoner Renzo. The two lovers plan to marry in secret, but Rodrigo discovers it and they are forced to flee their village, becoming separated and each facing many dangers, includine the Plague.

Documentary about Italian screenwriting legends Agenore 'Age' Incrocci and Furio Scarpelli.

This ensemble drama details the friendships that grow between survivors of the 1997 Umbria earthquake. The townsfolk—adults, children and foreigners alike—deal with various issues as they try to resume normal lives in a homeless situation.

This ensemble drama details the friendships that grow between survivors of the 1997 Umbria earthquake. The townsfolk—adults, children and foreigners alike—deal with various issues as they try to resume normal lives in a homeless situation.

14-year-old Siddharta, wise beyond his age, has to deal every day with his heroin-addict mother Silvia and an absent father. One day, his four-year-old sister Domitilla accidentally pricks her finger on one of Silvia's used needles without her noticing. Seeking advice on the Internet, Siddharta is told to have her tested for hepatitis and AIDS. Thus he embarks on a odyssey of medical bureaucracy and both kind and uncaring adults.

14-year-old Siddharta, wise beyond his age, has to deal every day with his heroin-addict mother Silvia and an absent father. One day, his four-year-old sister Domitilla accidentally pricks her finger on one of Silvia's used needles without her noticing. Seeking advice on the Internet, Siddharta is told to have her tested for hepatitis and AIDS. Thus he embarks on a odyssey of medical bureaucracy and both kind and uncaring adults.

A collective short film made of nine segments characterized by a critical and pessimistic attitude towards the future of Italy in the wake of the political rise of Silvio Berlusconi ahead of the 1994 general elections.

In the Tuscan countryside at the end of the 19th century, Pietro, the shy son of a tyrannical landowner, falls in love with Ghisola, a peasant girl with no family. His father has her sent away. Years later, the two meet again: still in love with her, Pietro would like to marry her, but she has become the mistress of a married man.

In the Tuscan countryside at the end of the 19th century, Pietro, the shy son of a tyrannical landowner, falls in love with Ghisola, a peasant girl with no family. His father has her sent away. Years later, the two meet again: still in love with her, Pietro would like to marry her, but she has become the mistress of a married man.

In the Tuscan countryside at the end of the 19th century, Pietro, the shy son of a tyrannical landowner, falls in love with Ghisola, a peasant girl with no family. His father has her sent away. Years later, the two meet again: still in love with her, Pietro would like to marry her, but she has become the mistress of a married man.

ローマ、サベリ街の総合病院の小児科病棟。13歳の少女ヴァレンティナ、通称ピッピ（アレッシア・フガルディ）は生後3ヶ月で発病し、てんかんと診断された。小児精神科の若き医師アルトゥーロ（セルジョ・カステリットー）は、それが誤診であり、心の病であることを直観的に見抜く。彼は薬物を使わない心理療法で発作の原因を探ろうとし、ピッピとできるだけ長い時間を過ごすようにする。アルトゥーロはやがて、ピッピの苦しみは、愛のない生活を続ける母チンチア（アンナ・ガリエナ）と父マルチェッロ（アルマンド・デ・ラッツァ）の歪んだ関係を全身で感じ取った彼女が、いつしか自分が逃げ込める世界を作り上げてしまい、心の行き場を失った時に“発作”を起こすのだと確信する。ある日、彼は“スヌーピー”の本をおみやげにピッピを訪ねた。アルトゥーロは、彼が子供の頃に愛した挿話を話し、「かぼちゃ大王が夢をかなえてくれると信じて、かぼちゃ畑に座って大王を待っていた」と語る。この日を境に2人の間に温かい友情が育まれていく。

ローマ、サベリ街の総合病院の小児科病棟。13歳の少女ヴァレンティナ、通称ピッピ（アレッシア・フガルディ）は生後3ヶ月で発病し、てんかんと診断された。小児精神科の若き医師アルトゥーロ（セルジョ・カステリットー）は、それが誤診であり、心の病であることを直観的に見抜く。彼は薬物を使わない心理療法で発作の原因を探ろうとし、ピッピとできるだけ長い時間を過ごすようにする。アルトゥーロはやがて、ピッピの苦しみは、愛のない生活を続ける母チンチア（アンナ・ガリエナ）と父マルチェッロ（アルマンド・デ・ラッツァ）の歪んだ関係を全身で感じ取った彼女が、いつしか自分が逃げ込める世界を作り上げてしまい、心の行き場を失った時に“発作”を起こすのだと確信する。ある日、彼は“スヌーピー”の本をおみやげにピッピを訪ねた。アルトゥーロは、彼が子供の頃に愛した挿話を話し、「かぼちゃ大王が夢をかなえてくれると信じて、かぼちゃ畑に座って大王を待っていた」と語る。この日を境に2人の間に温かい友情が育まれていく。

At the beginning of the 20th century, a junior resident takes an interest in a newly-arrived patient, a young Italian woman who has mysteriously developed schizophrenia. To identify the causes of her condition, he employs psychoanalytic methods to dig into her sexual past, despite objections by the old-fashioned chief physician.

共産主義信奉者の大学教授ブルスキ（マルチェロ・マストロヤンニ）は規則正しい生活を送るのが身上の保守的な人間。ある日、疎遠な息子オリヴィエロから離婚寸前の妻ステラ（サンドリーヌ・ボネール）が出て行ったため、4歳の娘パペレを託される。利発だがちょっと変わった孫娘との生活にとまどうブルスキだが、やがて感受性豊かな彼女との生活が楽しみになる。ところがそこにステラが転がり込んできて状況は一転。奔放で粗野なステラは自分の都合だけでパペレを振り回し、ブルスキと衝突を続けたあげく家を追い出される。1カ月後、交通事故にあったステラを探しあてたブルスキは彼女を家に連れ帰る。奇妙な共同生活が続くなか、ブルスキはステラを本当の娘のように思い始め、3人は家族のようになった。ブルスキから教育を受けて新たな世界に目覚めるステラだが、彼との生活は窮屈だった。ある日、ステラはパペレを連れて家を出て行く。残されたブルスキは人生の黄昏をかみしめるのだった。

共産主義信奉者の大学教授ブルスキ（マルチェロ・マストロヤンニ）は規則正しい生活を送るのが身上の保守的な人間。ある日、疎遠な息子オリヴィエロから離婚寸前の妻ステラ（サンドリーヌ・ボネール）が出て行ったため、4歳の娘パペレを託される。利発だがちょっと変わった孫娘との生活にとまどうブルスキだが、やがて感受性豊かな彼女との生活が楽しみになる。ところがそこにステラが転がり込んできて状況は一転。奔放で粗野なステラは自分の都合だけでパペレを振り回し、ブルスキと衝突を続けたあげく家を追い出される。1カ月後、交通事故にあったステラを探しあてたブルスキは彼女を家に連れ帰る。奇妙な共同生活が続くなか、ブルスキはステラを本当の娘のように思い始め、3人は家族のようになった。ブルスキから教育を受けて新たな世界に目覚めるステラだが、彼との生活は窮屈だった。ある日、ステラはパペレを連れて家を出て行く。残されたブルスキは人生の黄昏をかみしめるのだった。

Vittorio, an American novelist teaching in Rome, meets the beautiful but damaged Bianca and they rapidly fall into an urgent, tempestuous affair. He's hesitant over their relationship since she seems to thrive on conflict and is constantly baiting him into physical altercation. Bianca gives Vittorio an exquisite leather belt as a gift; he knows immediately that she wants him to whip her with it. Driven by his craving for her, Vittorio complies to Bianca's desire. Their relationship escalates into a dark realm of S&M which becomes more and more self-destructive.

Vittorio, an American novelist teaching in Rome, meets the beautiful but damaged Bianca and they rapidly fall into an urgent, tempestuous affair. He's hesitant over their relationship since she seems to thrive on conflict and is constantly baiting him into physical altercation. Bianca gives Vittorio an exquisite leather belt as a gift; he knows immediately that she wants him to whip her with it. Driven by his craving for her, Vittorio complies to Bianca's desire. Their relationship escalates into a dark realm of S&M which becomes more and more self-destructive.

Mignon is a French teenager from a wealthy family who is forced to move in with her much poorer Italian relatives when her own family falls apart. First, she is like a fish on dry land, but soon she forms an unlikely bond with one of her Italian cousins.

Mignon is a French teenager from a wealthy family who is forced to move in with her much poorer Italian relatives when her own family falls apart. First, she is like a fish on dry land, but soon she forms an unlikely bond with one of her Italian cousins.

15-year-old Giuliana doesn't want to spend the summer with her rich mother, so—without a word—she leaves with Romeo, the son of the janitor of her building, embarking on a backpacking trip through Italy. Her divorced father is worried and decides to go in search of his daughter.

A Count marries a woman with illness that makes her suffer attacks of vampirism. The Count took flight in the wildest horror, and ran, without any idea where he was going or what he was doing, impelled by the deadliest terror, all about the walks in the park, till he found himself at the door of his own Castle as the day was breaking, bathed in cold perspiration. Involuntarily, without the capability of taking hold of a thought, he dashed up the steps, and went bursting through the passages and into his own bedroom.

Adaptation of Goethe's novel.