Pierre Banderet

Three women, three generations, two secrets. In the early 1970s, a bomb exploded on board the Swissair flight 330 to Tel Aviv. Isabelle's husband also died. The young, very pregnant widow feared that her lover, the Palestinian activist Djibril, might be entangled in it ... Now, 47 years later, Isabelle finds out that her granddaughter Anaïs has converted to Islam. But why does the young student keep her new faith secret from the family? Anaïs's mother, Léa, immediately rings the alarm.

Centers on three childhood friends: Muriel, Francois and Rene. Partners in crime (burglaries, to be precise), the three end their "criminal" activities after one of their attempted burglaries fails. They vow never to see each other again until, however, Muriel's son is kidnapped, which leads the three to join forces again to get the ransom money.

Her parents and a former lover try to help a woman out of an apparently unjustified catatonic condition.

In 1936, the political and marital tribulations of Léon Blum, elected President of the Council at the head of the Popular Front.

Two friends with very different personalities decide to write a script for a movie. Their discussions and confrontations are constant, but the story slowly takes shape around a poor family that has a small car repair business. Times are hard and will have to fight to prevent a multinational tear down the garage.

From the director of Marius et Jeannette, this story of two working-class families is a fable with an optimist streak. A young black man, Francois, is wrongly accused of rape by a racist policeman. The story is told in voiceover by his childhood friend, neighbor, and the mother of his future child, Clementine, who is white. The city is Marseilles as in the previous film, symbolic with its churches, prisons and ruins. Except in this film, director Robert Guediguian also ventures outside, taking the story to Sarajevo; two different cities, one devastated by war, the other by a bad economy and unemployment. A la Place du coeur won a Special Jury Prize at the 1998 San Sebastian Film Festival and was also shown at the 1998 Toronto Film Festival and the 1998 Montreal Film Festival.

Jeannette is a single mother living in a working-class community in Marseilles; she tries to support herself and her two kids on her salary as a check-out girl at a supermarket and lives in an apartment complex where everyone is thrown into close proximity with everyone else. Marius is working as a security guard at a cement factory that has gone out of business; he's also squatting in the building, since the plant is soon to be demolished and he'll be needing his money later on. One day, Jeannette happens by the factory, and spotting several cans of paint, tries to take two of them home with her. Marius spots her and tries to chase her away, while she rails at him with curses against the capitalist system. The next day, an apologetic Marius appears at her doorstep, cans of paint in hand; the two soon become friendly, and a romance begins to bloom, though it quickly becomes obvious that Jeannette's romance novel fantasies are a bit off the mark from what Marius has in mind.

The story of Georges Mandel, an anti-Nazi French parliamentarian who refused to abdicate to the Vichy regime.

How the mothers of a deprived suburb of Marseille will create a solidarity committee under the aegis of the parish priest. Gathered in assembly, they will invent a solution to the endemic misery of their city.

Three men and a woman from a city in the south of France made a pact as teenagers to never forget that they were children of the poor.

Jeanne is a woman who is driven by her very active conscience. She attempts to assuage her idealistic bent by trying out life as a nun, but this doesn't work out. After she leaves the convent, she takes a job at a factory, where the callousness of management spurs her to become a labor activist. Her efforts are marked by great persistence and fervor, but she lacks any kind of diplomacy or persuasiveness, and as the years progress, she manages to alienate everyone in her life. By the end of the film, there is only one way that she can see to resolve the horrible situation she finds herself in.

A group of children from the same neighborhood meet a few years later. When the day comes, they meet again and take stock of their lives.

Sylvie and Marie-Christine, two young girls abducted by force by pimps in order to make them participate in perverse shows, testify against their captors and are subsequently assassinated. Commissioner Beauclair and her teammates vigorously tackle the prostitution network in the Paris region. But the witnesses they meet are eliminated one after another ...

A young man is checked into a mental hospital for unexplained reasons.