Sound
It’s summertime, 2021. Isabelle Huppert plays Lioubov, Chekhov’s unforgettably heroine in The Cherry Orchard. In a near theatre, Fabrice Luchini recites Nietzsche. Both actors are premiering at Avignon’s Festival. When they leave backstage to stand out on stage, they are completely transformed. As everything seems utterly natural, audience does not imagine what happened before. By following their daily lives during the weeks preceding the premieres, Benoît Jacquot brings a singular perspective of the two actors and shows them like we’ve never seen before.
Sound Engineer
Cut off the world, Ferdinand lives in a small village with his family. Since the death of his mother, Ferdinand has been stuck in a total silence. On a midsummer day, he decides to end it all up.
Sound Mixer
Charles is the victim of phobia of urges and ruminations which worry and disturb him. His daily life is poisoned by visions of himself committing criminal acts against people around him. Through these omnipresent thoughts in voiceover, he questions himself about the nature of his obsessions and impulses.
Sound Recordist
Charles is the victim of phobia of urges and ruminations which worry and disturb him. His daily life is poisoned by visions of himself committing criminal acts against people around him. Through these omnipresent thoughts in voiceover, he questions himself about the nature of his obsessions and impulses.
Sound Editor
Charles is the victim of phobia of urges and ruminations which worry and disturb him. His daily life is poisoned by visions of himself committing criminal acts against people around him. Through these omnipresent thoughts in voiceover, he questions himself about the nature of his obsessions and impulses.
Boom Operator
Émile is afraid of the world. He no longer goes outside and paints everything blue. One night, his son Yoan encounters Soraya, a teenage fan of Tamil dance. She will help him find the right colour.
