Takuya Kawakami

On December 11, 2022, Ryuichi Sakamoto’s solo piano performance will be streamed in the form of a concert. However, what we will experience that day is carefully recorded footage of Sakamoto performing a few pieces of music each day over the course of a week, that was then thoughtfully edited together. This is last performance.

A psychological thriller set in the post-COVID Tokyo. The film follows a woman looking for her missing son, and a shady young man who approaches her, claiming to know her son.

We see a woman lying down. She awakens from a dream of a festival she visited in her youth to a scene that feels familiar. Reminiscing on her first love, her marriage, giving birth, and meeting the love of her life, she wanders for a while. Was the place she met him again a dream, or was it Heaven? Was the one she met her first love, or the love of her life? This is a story about love, and about one woman.

This documentary started as part of a photography project about the indigenous Ainu population in northern Japan, portraying people from tightly knit communities. They feel deeply connected by their culture and tradition. With gorgeous pictures, the directors explore how different generations of Ainu reflect on their identity after centuries of oppression.

This documentary started as part of a photography project about the indigenous Ainu population in northern Japan, portraying people from tightly knit communities. They feel deeply connected by their culture and tradition. With gorgeous pictures, the directors explore how different generations of Ainu reflect on their identity after centuries of oppression.

During World War II, many Japanese immigrants in Santos, Brazil, were forced to move to another place. Matsubayashi draws attention to the fact that 60% of the immigrants were from Okinawa. Based on testimonies from interviewees, this film reveals the hidden historical relationship between Okinawa and Brazil.

チェーザレ・パヴェーゼの小説「美しい夏」をもとにした、伝染病が蔓延した世界で夏を生きる少女たちの物語。

Hikari is a newly expectant mother cohabiting with her boyfriend Taro. However, their relationship seems to be on the rocks. The couple has had trouble finding steady employment since graduating from college, and mounting financial problems further strain their relationship. Taro has a secret: he’s been relying on his eccentric aunt Kyoko, who has been acting strangely since losing her husband at a young age. Hikari’s first encounter with Kyoko does not go well, but Hikari visits Kyoko’s home unbeknownst to Taro and is introduced to a world where young women take part in bacchanals. This could spell doom for her relationship with Taro...