Amartya Bhattacharyya

参加作品

Adieu Godard
Editor
A small Indian village: an old man is addicted to watching pornography with his friends. One fine day, he accidentally brings home a DVD with a Godard film inside it. Though his friends were disgusted, Ananda gets attracted to Godard’s film and gradually develops an obsession. He initiates the idea of hosting a film festival in their village where Godard’s films will be screened. The festival gets organized after a lot of drama, but what happens next is to be seen.
Adieu Godard
Director of Photography
A small Indian village: an old man is addicted to watching pornography with his friends. One fine day, he accidentally brings home a DVD with a Godard film inside it. Though his friends were disgusted, Ananda gets attracted to Godard’s film and gradually develops an obsession. He initiates the idea of hosting a film festival in their village where Godard’s films will be screened. The festival gets organized after a lot of drama, but what happens next is to be seen.
Adieu Godard
Screenplay
A small Indian village: an old man is addicted to watching pornography with his friends. One fine day, he accidentally brings home a DVD with a Godard film inside it. Though his friends were disgusted, Ananda gets attracted to Godard’s film and gradually develops an obsession. He initiates the idea of hosting a film festival in their village where Godard’s films will be screened. The festival gets organized after a lot of drama, but what happens next is to be seen.
Adieu Godard
Director
A small Indian village: an old man is addicted to watching pornography with his friends. One fine day, he accidentally brings home a DVD with a Godard film inside it. Though his friends were disgusted, Ananda gets attracted to Godard’s film and gradually develops an obsession. He initiates the idea of hosting a film festival in their village where Godard’s films will be screened. The festival gets organized after a lot of drama, but what happens next is to be seen.
Mercy of God
Director
A silent portrait of the devastated condition of coastal Odisha after the cyclone 'Fani'
Runanubandha - The He Without Him
Screenplay
Runanubandha, spiritually, refers to body’s memory – both genetic and memory of intimate physical connect. It is this memory which is said to bind a parent and a child, a husband and a wife or any other intimate relationships. The film explores Shatarupa’s search for her father in Kolkata. She finds the voice of her father in a young man. The paternal traits draw her towards him, but she finds herself trapped elsewhere between emotional complexities and simplicity. The film also draws a parallel with Hindu mythological tale of Lord Brahma, who was attracted to his own daughter Shatarupa
Runanubandha - The He Without Him
Director of Photography
Runanubandha, spiritually, refers to body’s memory – both genetic and memory of intimate physical connect. It is this memory which is said to bind a parent and a child, a husband and a wife or any other intimate relationships. The film explores Shatarupa’s search for her father in Kolkata. She finds the voice of her father in a young man. The paternal traits draw her towards him, but she finds herself trapped elsewhere between emotional complexities and simplicity. The film also draws a parallel with Hindu mythological tale of Lord Brahma, who was attracted to his own daughter Shatarupa
Runanubandha - The He Without Him
Michael Hementa Biswas (voice)
Runanubandha, spiritually, refers to body’s memory – both genetic and memory of intimate physical connect. It is this memory which is said to bind a parent and a child, a husband and a wife or any other intimate relationships. The film explores Shatarupa’s search for her father in Kolkata. She finds the voice of her father in a young man. The paternal traits draw her towards him, but she finds herself trapped elsewhere between emotional complexities and simplicity. The film also draws a parallel with Hindu mythological tale of Lord Brahma, who was attracted to his own daughter Shatarupa
Runanubandha - The He Without Him
Editor
Runanubandha, spiritually, refers to body’s memory – both genetic and memory of intimate physical connect. It is this memory which is said to bind a parent and a child, a husband and a wife or any other intimate relationships. The film explores Shatarupa’s search for her father in Kolkata. She finds the voice of her father in a young man. The paternal traits draw her towards him, but she finds herself trapped elsewhere between emotional complexities and simplicity. The film also draws a parallel with Hindu mythological tale of Lord Brahma, who was attracted to his own daughter Shatarupa
Runanubandha - The He Without Him
Director
Runanubandha, spiritually, refers to body’s memory – both genetic and memory of intimate physical connect. It is this memory which is said to bind a parent and a child, a husband and a wife or any other intimate relationships. The film explores Shatarupa’s search for her father in Kolkata. She finds the voice of her father in a young man. The paternal traits draw her towards him, but she finds herself trapped elsewhere between emotional complexities and simplicity. The film also draws a parallel with Hindu mythological tale of Lord Brahma, who was attracted to his own daughter Shatarupa
Khyanikaa: The Lost Idea
Editor
The film is a fantasy driven tale of two men, a poet and a painter, claiming possession over the same Idea, in a rural village portrayed as a wonderland. Idea is personified as a beautiful young lady, free of all bondage. The two men try to justify their claim over their Idea through their forms of art. Unable to settle the conflict, the two men approach ‘Fate’, personified as a big fat man of authority, to judge their claims. They soon realize that Idea is no one’s possession and it isn’t wise to rely on ‘Fate’ for a judgement. They decide to bury their ‘Fate’, and settle the matter in peace. Idea, portrayed as a free spirit, gets impressed by a kid who resides in an alternate world of fantasy, and decides to venture into the new creative world. The real world, with all its materialistic obsessions, rigid notions and prejudices, loses the Idea forever.
Khyanikaa: The Lost Idea
Cinematography
The film is a fantasy driven tale of two men, a poet and a painter, claiming possession over the same Idea, in a rural village portrayed as a wonderland. Idea is personified as a beautiful young lady, free of all bondage. The two men try to justify their claim over their Idea through their forms of art. Unable to settle the conflict, the two men approach ‘Fate’, personified as a big fat man of authority, to judge their claims. They soon realize that Idea is no one’s possession and it isn’t wise to rely on ‘Fate’ for a judgement. They decide to bury their ‘Fate’, and settle the matter in peace. Idea, portrayed as a free spirit, gets impressed by a kid who resides in an alternate world of fantasy, and decides to venture into the new creative world. The real world, with all its materialistic obsessions, rigid notions and prejudices, loses the Idea forever.
Khyanikaa: The Lost Idea
Director
The film is a fantasy driven tale of two men, a poet and a painter, claiming possession over the same Idea, in a rural village portrayed as a wonderland. Idea is personified as a beautiful young lady, free of all bondage. The two men try to justify their claim over their Idea through their forms of art. Unable to settle the conflict, the two men approach ‘Fate’, personified as a big fat man of authority, to judge their claims. They soon realize that Idea is no one’s possession and it isn’t wise to rely on ‘Fate’ for a judgement. They decide to bury their ‘Fate’, and settle the matter in peace. Idea, portrayed as a free spirit, gets impressed by a kid who resides in an alternate world of fantasy, and decides to venture into the new creative world. The real world, with all its materialistic obsessions, rigid notions and prejudices, loses the Idea forever.
Khyanikaa: The Lost Idea
Writer
The film is a fantasy driven tale of two men, a poet and a painter, claiming possession over the same Idea, in a rural village portrayed as a wonderland. Idea is personified as a beautiful young lady, free of all bondage. The two men try to justify their claim over their Idea through their forms of art. Unable to settle the conflict, the two men approach ‘Fate’, personified as a big fat man of authority, to judge their claims. They soon realize that Idea is no one’s possession and it isn’t wise to rely on ‘Fate’ for a judgement. They decide to bury their ‘Fate’, and settle the matter in peace. Idea, portrayed as a free spirit, gets impressed by a kid who resides in an alternate world of fantasy, and decides to venture into the new creative world. The real world, with all its materialistic obsessions, rigid notions and prejudices, loses the Idea forever.
Capital I
Editor
'Capital I' is an existential psychodrama revolving around a mysterious and unknown artist and depicting the transformation of mind of a young girl whereby she finds herself trapped in between realistic relationship and attractions and a strange relationship with her hallucinatory lesbian partner.
Capital I
Cinematography
'Capital I' is an existential psychodrama revolving around a mysterious and unknown artist and depicting the transformation of mind of a young girl whereby she finds herself trapped in between realistic relationship and attractions and a strange relationship with her hallucinatory lesbian partner.
Capital I
Writer
'Capital I' is an existential psychodrama revolving around a mysterious and unknown artist and depicting the transformation of mind of a young girl whereby she finds herself trapped in between realistic relationship and attractions and a strange relationship with her hallucinatory lesbian partner.
Capital I
Director
'Capital I' is an existential psychodrama revolving around a mysterious and unknown artist and depicting the transformation of mind of a young girl whereby she finds herself trapped in between realistic relationship and attractions and a strange relationship with her hallucinatory lesbian partner.