Niall MacCormick

参加作品

Complicit
Director
An MI5 officer's attempts to foil a possible terrorist plot are undermined by bureaucracy and moral dilemmas. Will he make the world a safer place or be complicit in making a tense situation even worse?
Albatross
Director
Beth, a bookish teenager, befriends Emilia, an aspiring novelist who has just arrived in town. Emilia soon begins an affair with Beth's father that threatens to have devastating consequences.
The Song of Lunch
Screenplay
A dramatisation of Christopher Reid's narrative poem that tells the story of an unnamed book editor who, fifteen years after their break-up, is meeting his former love for a nostalgic lunch at Zanzotti's, the Soho restaurant they used to frequent.
The Song of Lunch
Director
A dramatisation of Christopher Reid's narrative poem that tells the story of an unnamed book editor who, fifteen years after their break-up, is meeting his former love for a nostalgic lunch at Zanzotti's, the Soho restaurant they used to frequent.
Margaret Thatcher: The Long Walk to Finchley
Director
A light hearted look at future Prime Minister Margaret Thatcher's rise from research chemist in 1949 to becoming MP for Finchley in 1959, encompassing her early relationship and marriage to oil millionaire Denis Thatcher.
Transit
Associate Producer
Tatjana dreams of escaping St Petersburg, and thinks she's found a man that can take her away. Meanwhile in Mexico City, Champinon struggles to find himself a girlfriend. In Los Angeles, Asha discovers her fiancé has been cheating on her, and in Kenya, Matthew struggles to break into Nairobi's burgeoning hip hop culture. The cast of characters react to the building pressure to create TRANSIT: Tatjana leaves Russia for Mexico City in search of her lover, and Asha for Nairobi to shoot a film for her graduation project. In their new locations our characters meet and our four stories become two when Tatjana finds Champinon and Asha finds Matthew. Love follows but their relationships are not as simple as they first appear, as we discover that all their stories are interlinked. —Niall MacCormick
Transit
Writer
Tatjana dreams of escaping St Petersburg, and thinks she's found a man that can take her away. Meanwhile in Mexico City, Champinon struggles to find himself a girlfriend. In Los Angeles, Asha discovers her fiancé has been cheating on her, and in Kenya, Matthew struggles to break into Nairobi's burgeoning hip hop culture. The cast of characters react to the building pressure to create TRANSIT: Tatjana leaves Russia for Mexico City in search of her lover, and Asha for Nairobi to shoot a film for her graduation project. In their new locations our characters meet and our four stories become two when Tatjana finds Champinon and Asha finds Matthew. Love follows but their relationships are not as simple as they first appear, as we discover that all their stories are interlinked. —Niall MacCormick
Transit
Director
Tatjana dreams of escaping St Petersburg, and thinks she's found a man that can take her away. Meanwhile in Mexico City, Champinon struggles to find himself a girlfriend. In Los Angeles, Asha discovers her fiancé has been cheating on her, and in Kenya, Matthew struggles to break into Nairobi's burgeoning hip hop culture. The cast of characters react to the building pressure to create TRANSIT: Tatjana leaves Russia for Mexico City in search of her lover, and Asha for Nairobi to shoot a film for her graduation project. In their new locations our characters meet and our four stories become two when Tatjana finds Champinon and Asha finds Matthew. Love follows but their relationships are not as simple as they first appear, as we discover that all their stories are interlinked. —Niall MacCormick