Chun Doo-hwan

Chun Doo-hwan

出生 : 1931-01-18, Hapcheon, South Gyeongsang, South Korea

死亡 : 2021-11-23

プロフィール写真

Chun Doo-hwan
Chun Doo-hwan
Chun Doo-hwan

参加作品

The Combat Kings
Self (archive footage)
The Chun Doo-hwan regime seized power in a coup d'etat, massacred peaceful protesters. People from all walks of life have been fighting the military dictatorship in their own way. And the story of reporter Lee Sang-ho, who has been covering for over 30 years, begins.
존경하고 사랑하는 국민여러분
Self (archival footage)
Gwangju Video: The Missing
Himself (archive footage)
There are people whose lives have been shaken by the 'Gwangju Video'. On May of 1980, the course of their lives changed in front of a huge wave of truth in Gwangju. The people who made and spread the 'Gwangju Video' are also the people who had their bodies on the waves. The hidden stories of these people, the 40th anniversary of the Gwangju Uprising, and the pursuit to trace the missing 4 hours of mass shooting will be revealed for the first time.
Citizen Roh
Self (archive footage)
In 2008, late President Roh Moo-hyun returned to his hometown Bongha village after his retirement and was joined by supporters as he recreated his hometown and began to clean up the Bonghae Mountain, cultivating Bongha Mountain, and cultivating environmentally friendly rice.
Our President
Self (archive footage)
In 2002, the Millennium Democratic Party elects the first presidential candidate by introducing a popular election system. While politicians like Ki Ra-seong have joined the election, Roh Moo-hyun the very last candidate with only 2% approval, throws in his hat. This is the story of a nation and the nation he led.
Non Fiction Diary
Himself (archive footage)
What happened in Korean society in the 1990s? The film starts with the Jijon-pa (Supreme Gangsters) case. The shocking story is narrated through the discussion by the two detectives who arrested the gangsters, of details of the roundup, data screens, and the death sentence. Nevertheless, Nonfiction Diary’s focus is not on the crime story. Starting from Jijon-pa onwards, the film reflects on the 1990s, when Korea digressed into contemporary history. The Seongsu Bridge and the Sampoong Department Store’s collapses are recalled, followed by the then-government’s punishment of the May 18 Uprising leaders, revealing the Korean legal system’s death penalty status, touching on political and power issues. The audience is reminded that today, 2013, is an extension of that same flow.