Sergio M. Rapu

参加作品

Distant Learning
Director
In the face of a global travel shutdown, a Rapanui father living in Minnesota tries to maintain ties to his culture by teaching it to his children.
Eating Up Easter
Camera Operator
Twin Cities filmmaker Sergio M. Rapu sets his gaze on his homeland in Eating Up Easter, where the Rapanui community faces an environmental collapse due to overwhelming tourism and industrial progress. Rapu himself serves as a narrator, describing to his son the depth of Easter Island's plight and the dilemma of the people who live there. Struggling to keep up with a land that refuses to slow down, the film features other locals making the best of an impossible situation: an ecologist who attempts to temper the rising waste crisis that affects both the island and the shores that surround it, a pair of musicians trying to establish a free music school that may help to preserve cultural traditions, and finally, Rapu's father, the island's former Governor, who is caught between responsibility to generations of culture and the ever-growing demands of industry.
Eating Up Easter
Editor
Twin Cities filmmaker Sergio M. Rapu sets his gaze on his homeland in Eating Up Easter, where the Rapanui community faces an environmental collapse due to overwhelming tourism and industrial progress. Rapu himself serves as a narrator, describing to his son the depth of Easter Island's plight and the dilemma of the people who live there. Struggling to keep up with a land that refuses to slow down, the film features other locals making the best of an impossible situation: an ecologist who attempts to temper the rising waste crisis that affects both the island and the shores that surround it, a pair of musicians trying to establish a free music school that may help to preserve cultural traditions, and finally, Rapu's father, the island's former Governor, who is caught between responsibility to generations of culture and the ever-growing demands of industry.
Eating Up Easter
Producer
Twin Cities filmmaker Sergio M. Rapu sets his gaze on his homeland in Eating Up Easter, where the Rapanui community faces an environmental collapse due to overwhelming tourism and industrial progress. Rapu himself serves as a narrator, describing to his son the depth of Easter Island's plight and the dilemma of the people who live there. Struggling to keep up with a land that refuses to slow down, the film features other locals making the best of an impossible situation: an ecologist who attempts to temper the rising waste crisis that affects both the island and the shores that surround it, a pair of musicians trying to establish a free music school that may help to preserve cultural traditions, and finally, Rapu's father, the island's former Governor, who is caught between responsibility to generations of culture and the ever-growing demands of industry.
Eating Up Easter
Director
Twin Cities filmmaker Sergio M. Rapu sets his gaze on his homeland in Eating Up Easter, where the Rapanui community faces an environmental collapse due to overwhelming tourism and industrial progress. Rapu himself serves as a narrator, describing to his son the depth of Easter Island's plight and the dilemma of the people who live there. Struggling to keep up with a land that refuses to slow down, the film features other locals making the best of an impossible situation: an ecologist who attempts to temper the rising waste crisis that affects both the island and the shores that surround it, a pair of musicians trying to establish a free music school that may help to preserve cultural traditions, and finally, Rapu's father, the island's former Governor, who is caught between responsibility to generations of culture and the ever-growing demands of industry.
Through the Banks of the Red Cedar
Camera Operator
In 1963 at Michigan State University, Head Coach Duffy Daugherty chose 23 black men to play on the college team. From this move came legends Gene Washington, Bubba Smith, George Webster and Clinton Jones. Director Maya Washington, Gene Washington’s daughter, charts the legacy of her father’s career and influence, along with the impact the events of 1963 have shown in the present day.
Through the Banks of the Red Cedar
Associate Producer
In 1963 at Michigan State University, Head Coach Duffy Daugherty chose 23 black men to play on the college team. From this move came legends Gene Washington, Bubba Smith, George Webster and Clinton Jones. Director Maya Washington, Gene Washington’s daughter, charts the legacy of her father’s career and influence, along with the impact the events of 1963 have shown in the present day.