Benjamin Schweimler Ricca

参加作品

The Covenant
Cableman
On his last tour of duty in Afghanistan, Sergeant John Kinley is teamed with local interpreter Ahmed to survey the region. When their unit is ambushed on patrol, Kinley and Ahmed are the only survivors. With enemy combatants in pursuit, Ahmed risks his own life to carry an injured Kinley across miles of grueling terrain to safety. Back on U.S. soil, Kinley learns that Ahmed and his family were not given passage to America as promised. Determined to protect his friend and repay his debt, Kinley returns to the warzone to retrieve Ahmed and his family before the local militias reach them first.
London and Botswana
Sound Recordist
A young man travels to Botswana believing he’s about to strike it big in the gem trade. But when his world collides with a local sex worker, he discovers something much more valuable than diamonds.
THE DWELLING
Creator
Andrew arrives to visit his brother, finding his home in neglect. But the longer he stays, the stranger things become.
THE DWELLING
Andrew arrives to visit his brother, finding his home in neglect. But the longer he stays, the stranger things become.
Information for/from Outsiders: Chronicles from Kashmir
Editor
Chronicles from Kashmir seeks to create a sense of “balance”: between differently positioned voices that emerge when speaking about Kashmir; between differently placed narratives on the “victim”/“perpetrator” spectrum. While there is an inevitable streak of political commentary that runs throughout the work – a political current that cannot be escaped when talking about Kashmir – Chronicles from Kashmir does not espouse any one political ideology. We see ourselves as being artists and educators, using aesthetics and pedagogy to engage audiences with diverse perspectives from/about the Valley.
Information for/from Outsiders: Chronicles from Kashmir
Co-Director
Chronicles from Kashmir seeks to create a sense of “balance”: between differently positioned voices that emerge when speaking about Kashmir; between differently placed narratives on the “victim”/“perpetrator” spectrum. While there is an inevitable streak of political commentary that runs throughout the work – a political current that cannot be escaped when talking about Kashmir – Chronicles from Kashmir does not espouse any one political ideology. We see ourselves as being artists and educators, using aesthetics and pedagogy to engage audiences with diverse perspectives from/about the Valley.