Production Design
Four college friends become small-time bookies, only to find their world spinning dangerously out of control when their greed attracts the attention of organized crime.
Production Design
After the death of his estranged mother, a misogynistic womanizer returns home to find that his ex-girlfriend had been his mother's secret lesbian lover.
Set Decoration
Legendary undercover DEA agent Charlie Mayough has suddenly lost his nerves of steel. On the verge of a career-induced mental breakdown, and in complete fear of trigger-happy Mafia leader Fulvio Nesstra, Charlie seeks psychiatric help and finds himself relying on the support of an unstable therapy group and nurse Judy just to get through his work.
Production Design
Two escaped convicts roll into the village of Happy, Texas, where they're mistaken for a gay couple who work as beauty pageant consultants. They go along with it to duck the police, but the local sheriff has a secret of his own.
Set Decoration
15-year-old Natalie, confused to begin with, finds out about her father's affair with one of his students. Refusing to simply stand by and watch her family disintegrate, Natalie takes it upon herself to expose the problem, and in doing so calls into question the family's penchant for denial.
Set Decoration
Three laborers on a Northern California marijuana plantation become increasingly paranoid when they learn that their boss has been murdered. They know enough to run, taking with them enough of the crop to pay them for services rendered. Hooking up with go-between Lucy in the next town, they plot their next move.
Set Decoration
Brian is a television writer-producer who has to script a 22-episode anthology, but lacks inspiration. He witnesses a strange romantic encounter between two figures on the balcony of hotel near his flat and decides to write scripts with his writer friends based on what he saw.
Set Dresser
Thad Beaumont is the author of a highly successful series of violent pulp thrillers written under the pseudonym of ‘George Stark’, but when he decides to ‘kill-off’ his alter-ego in a mock ceremony, it precipitates a string of sadistic murders matching those in his pulp novels, which are soon discovered to be the work of Stark himself. Looking like a maniacal version of his counterpart, Stark is not so willing to quit the writing game – even if it means coming after Thad's wife and their baby.
