Saed Andoni

Sawsan is 22-years-old and, like many her age who still live at home: feels suffocated and regularly fights with her parents. Eventually she decides to run away and journey into the night life of Bethlehem city where she finds an unexpected surprise.

Jomu’a is a Palestinian who lives in a refugee camp. Every early morning, he goes to the entrance of the refugee camp to earn his living selling coffee. He tries to find additional work but the only job available is to demolish a house.

Two young people try to record music inside the camp for a competition. If they succeed, they have the chance to make a music album. Because of the chaos and problems in the camp, things go wrong at first. Finally, the two come up with the idea of recording the sounds of the camp instead — and turning them into music…

In the West Bank, Area C is a Palestinian area surrounded by Israeli settlements. Facing poverty and violence, a clever and sensitive Palestinian child tries his hardest to keep his home and family safe from aggressive settlers, even if just for a little while.

Through stop-motion animation, drawings and interviews, directors Amer Shomali and Paul Cowan recreate an astonishing true story from the First Palestinian Intifada: the Israeli army’s pursuit of eighteen cows, whose independent milk production on a Palestinian collective farm was declared "a threat to the national security of the state of Israel."

Fatenah is the first 3D animated film made in the Palestinian territories. It revolves around the main character, a young adult living in Palestine. While conducting a self-examination she discovers a lump. The story evolves around her attempt to get medical attention for the lump while living in the Palestinian territories.

Azza El-Hassan's film portrayal of her neighbourhood of Ramallah, a town under fire in the current Middle East conflict. With the threat of violence severely limiting locals' activities, filming becomes the main event, especially for a group of children.

After his recovery, middle-aged Hamza has continued a practice he began 20 years ago when he was freed from an Israeli prison: he goes into the woods every day to chase the lion that the locals don’t think exists. Hamza struggles to reach a peaceful place. Despite his wife’s pleadings and the villagers’ contempt, Hamza sits his baits and traps in the forest, hoping to defeat the mysterious threat. He finds refuge in his journey from social rejection and denial. In the woods, Hamza is free to act according to his beliefs, fighting his own battle to heal an open wound – the trauma of losing his childhood friend, and the horrific memories of torture and guilt.