Roman Doronin

参加作品

S.O.S. Survive or Sacrifice
Screenplay
Two sisters living separate lives on different continents are reunited on a Mediterranean Island. The two barely have time to bond and revive family ties as Kate, the elder, meets a group of locals and agrees to an exciting ride on a hot air balloon. But disaster strikes and as the result of a freak accident, the balloon is carried far out to sea. Their cell phones out of range, and the balloon running out of gas, Kate and her friends are battling for their lives. While, back on land, the younger sister, Liz, has become an unwanted "material witness" to a crime. Matters then take a dramatic twist, one that will mark their lives forever.
S.O.S. Survive or Sacrifice
Director
Two sisters living separate lives on different continents are reunited on a Mediterranean Island. The two barely have time to bond and revive family ties as Kate, the elder, meets a group of locals and agrees to an exciting ride on a hot air balloon. But disaster strikes and as the result of a freak accident, the balloon is carried far out to sea. Their cell phones out of range, and the balloon running out of gas, Kate and her friends are battling for their lives. While, back on land, the younger sister, Liz, has become an unwanted "material witness" to a crime. Matters then take a dramatic twist, one that will mark their lives forever.
Robinson
Director
A woman wakes up alone in a clearing in the middle of a dense forest. Where she found herself, and how to get out of the thicket is unknown. In order not to die, a woman has to remember everything that she knew about survival. But the forest is not a warm island in the ocean, and therefore the health and psyche of a female robinson are at risk. The situation becomes even more complicated and dangerous when she discovers a hut with a related girl, and saving the “Friday” only complicates the life of the heroine.
Lift
Writer
A psychological thriller. One quite ordinary summer morning five different and unacquainted people leave their apartments at different floors and enter the lift. The doors close behind the last passenger and the lift starts descending. The moments pass, but the lift is not going to stop, the impression of endless moving appears and grows. Panic transforms into fear with every passing minute, situation is getting out of control. The lift cage transforms into closed space, into moving rattrap from which there is no escape. How would the five people behave in such hopeless situation? Their souls are assaulted by doubts and fear, they are filled with overwhelming feeling of inevitability and despair as around them the ordinary is turning into the unreal. Have you ever wondered what your companions in the lift are? Are they really what they claim to be? Or maybe you should fear them?
Преступление и наказание
Screenplay
New film adaptation of Dostoevsky
Преступление и наказание
Director
New film adaptation of Dostoevsky
Царь зверей
Screenplay
Animation project of Armen Adilkhanyan