Maxime Jean-Baptiste

略歴

Maxime Jean-Baptiste is a filmmaker based between Brussels and Paris. He was born and raised in the context of the Guyanese and Antillean diaspora diaspora in France, to a French mother and a Guyanese father. His interest as an artist is to dig inside the complexity of Western colonial history by detecting the survival of traumas from the past in the present. His audiovisual and performance work is focused on archives and forms of reenactment as a perspective to conceive a vivid and embodied memory. He graduated in Visual Arts [BA] at erg/école de recherche graphique, Brussels (BE) and in Media Arts [MA] at K.A.S.K. School of Arts, Ghent (BE), and participated in the SIC/SoundImageCulture program (2018-19). His audiovisual works have been shown at ISFF Oberhausen (DE), ISFF Clermont-Ferrand (FR), Kasseler DokFest (DE), Bamako Biennale (ML), Lisbon & Sintra Film Festival (PT), Athens Ethnographic Film Festival (GR), Bozar (BE), Sphinx Cinema (BE) among many others. His first film Nou voix (2018) was awarded the Jury Prize at Festival des Cinémas Différents et Expérimentaux de Paris (FR).

参加作品

Between Nothingness and Infinity, I Began to Weep
Director
The piece centers on Jean-Baptiste’s cousin Lucas, who was brutally murdered ten years ago at the age of 18, while at a birthday party in Cayenne, French Guiana.
Moune Ô
Director
Maxime Jean-Baptiste continues the research he started in "Nou Voix" (2018) concerning colonial memory, the Guyanese diaspora, and the staging of Black bodies. By questioning how “official” narratives are constructed, the film "Moune Ô" encourages a shift in perspective regarding the link between colonisation and extractivism.
Listen to the Beat of Our Images
Director
In 1961, France established its space-center in Kourou, French Guiana, expropriating local Guianese. Field investigation meets archival video to empower a silenced population.
Nou Voix
Director
Kouté Vwa
Writer
Kouté Vwa
Director