Chris Kunzmann

参加作品

Rimini Protokoll: Uncanny Valley
Animatronics Supervisor
We mostly think of robots as work machines, as efficient and precise executors of tasks. In German industry, they barely look like people, to avoid emotional complications. Unlike in Asia, where humanoid robots have already been developed for some time, for example for care-work or as sex partners. The external similarity to human beings makes the acceptance of machines easier. However, if the machine is too similar to a human, we begin to feel mistrust: what is human, what is machine? Japanese robotics researchers call this weird similarity the “uncanny valley”. For his play, Stefan Kaegi works with a writer and playwright for the first time: Thomas Melle allowed an animatronic double of himself to be made. This humanoid takes the author’s place and throws up questions: what does it mean for the original when the copy takes over? Does the original get to know himself better through his electronic double? Do the copy and his original compete or do they help each other?
イーオン・フラックス
Special Props
2011年に致死性のウイルスが突如発生、人類の99%が死滅したことで、世界は人類滅亡の危機に陥った。科学者トレヴァー・グッドチャイルドの開発したワクチンで生き残ったわずか500万人の人類は、救世主の子孫グッドチャイルド一族の圧政的な管理化の下、汚染された外界と壁で隔てられた都市ブレーニャで暮らしていた。病気も、飢餓も、戦争もないユートピア都市は秘密と虚偽で成り立っていた。
ブラッドレイン
Makeup Department Head
In 18th-century Romania, after spending much of her life in a traveling circus, human-vampire hybrid Rayne escapes and plots to take down her father, Kagan, the evil vampire king. When she's discovered by three vampire hunters, she manages to convince them to spare her life and join her cause. But slaying a vampire as powerful as Kagan will be no easy task.