Petr Racek

Petr Racek

プロフィール写真

Petr Racek

参加作品

From the Bottom
Director of Photography
Even before the pandemic, there were almost 24,000 homeless people in the Czech Republic. In the following months, many more Czechs faced housing crisis due to the increase in the unemployment rate. Filip, a social work student from Prague experiences their reality first hand. The protagonist of a video journal was shooting in the streets of Ústí nad Labem. In the hot summer days, his existence shrank to finding a mere place to sleep and a meal to eat. Growing tiredness and apathy are temporarily brightened by joyful moments of human solidarity and warm meals. In such circumstances, things like that are not at all common; they represent a means of survival.
Love, Dad
Assistant Camera
A short film about ties and gaps between a child and a parent. The author rediscovers letters her dad used to write her from prison. That love seems to be gone now. She decides to write back in hope to find the connection again. She puts in writing what could not be said: blaming him for family´s break-up but also trying to understand.
How I Became a Partisan
Director of Photography
This documentary film reveals how the lives of the descendants of a partisan fighter in the Second World War are still impacted by the events of that period, 75 years after the end of hostilities. In making her case, Lacková provides glimpses into her private surroundings. Over the course of her film, she also points out frightening parallels between the reign of the Nazi terror regime and the resurgence of racist currents throughout today's Europe.
Wolves at the Borders
Director of Photography
Wolves are back. They bring along both fear and hope. Do they still have place in our nature?
Guestlist
Camera Operator
Inner view to the social bubble of those who are running our society without being any part of it. Mixture of shots taken on unspecified VIP event and records from artist’s performative piece which he realized in Prague, is a though reflexion of bitter reality of our lives: No matter how many plastic straws we won’t use, it is not us, who sets the limits.
Vote for Kibera
Director of Photography
An in-depth look at one of Africa's largest shanty towns and its residents' dedication to transforming their home amidst a tense election year.